Orhan Pamuk
Orhan Pamuk
Ferit Orhan Pamukis a Turkish novelist, screenwriter, academic and recipient of the 2006 Nobel Prize in Literature. One of Turkey's most prominent novelists, his work has sold over thirteen million books in sixty-three languages, making him the country's best-selling writer...
ProfessionNovelist
Date of Birth7 June 1952
CityIstanbul, Turkey
accuse asserting beauties failure fiction good history inventing looked positive
Good fiction is about asserting the beauties of the world, inventing a new, positive thing. Where am I going to get that? And it should be original; it should not be cliched. So the way I looked at history was not to accuse it of failure.
art writing fiction
Many great authors of the 19th century wrote under conditions of strict censorship. The great thing about the art of writing a novel, is that you can write about anything. All you have to say is that it's fiction.
writing years fiction
Nothing changed in my life since I work all the time," Pamuk said then. "I've spent 30 years writing fiction. For the first 10 years I worried about money and no one asked me how much money I made. The second decade I spent money and no one was asking me about that. And I've spent the last 10 years with everyone expecting to hear how I spend the money, which I will not do.
american-novelist elections figured hope improve point policy voters win
At some point they figured out that you can win elections with a pro-European policy because the voters hope this will improve their lives.
perhaps
I think perhaps it is a generational thing,
age announcing living means modernity notice themselves vanish
Modernity means overabundance. We are living in the age of mass-produced objects, things that come without announcing themselves and end up on our tables, on our walls. We use them - most of us don't even notice them - and then they vanish without fanfare.
five gives months pages people six
When people read a novel 600 pages long, six months pass, and all they will remember are five pages. They don't remember the text - instead, they remember the sensations the text gives them.
amazement force hand name novel spite watch wrote
When I write, I feel that I'm writing with my intellect. When I paint, I think it's some other force making me paint. I - as I wrote in my novel 'My Name is Red' - watch with amazement what my hand is doing on the paper, what kind of line, what kind of strange, beautiful thing it's doing in spite of my will, so to speak.
cultures islam judge people produce radical sorry time
We should not judge Islam by terrorists. All civilizations and cultures produce terrorists. Every time there is a flag-burning, killing, or provocative films, I'm worried, not because something radical will happen, and this time, some people are killed. We're very sorry for that.
artistic change embracing radically somehow
To appropriate an invention, be it artistic or technical, you have to have at least a part of your spirit embracing it so radically that you somehow change.
feeling flourish margins movements society turkish
These political movements flourish on the margins of Turkish society because of poverty and because of the people's feeling that they are not being represented.
bad clearly good helps manage mechanism
Self-hatred is OK. I have self-hatred, too. It's OK. What's bad is if you don't know how to get out of it, don't know how to manage it. Self-hatred is, in fact, a good thing if you can clearly see the mechanism of it, because it helps you to understand others.
attached distance gives home looking onto reality romantic room street study
My home is attached to a study - in fact, my home is my study, and I have a little room to sleep in. I need to write looking onto the street or a landscape. Looking at reality from some distance gives me romantic visions.
exhibit government images inventions museums powerful signs state symbol tend western
Museums are western inventions where the rich and the powerful or the government and the state tend to exhibit the signs and symbol and images of their culture.