Orhan Pamuk
Orhan Pamuk
Ferit Orhan Pamukis a Turkish novelist, screenwriter, academic and recipient of the 2006 Nobel Prize in Literature. One of Turkey's most prominent novelists, his work has sold over thirteen million books in sixty-three languages, making him the country's best-selling writer...
ProfessionNovelist
Date of Birth7 June 1952
CityIstanbul, Turkey
art based believe best characters human novel novels strongly whoever works writer
I strongly believe that the art of the novel works best when the writer identifies with whoever he or she is writing about. Novels in the end are based on the human capacity, compassion, and I can show more compassion to my characters if I write in a first person singular.
case character competing course define europe france ideas itself joining needs past policy reason recommend reduced simple since solve term turkey ultimately various view vision
Of course I'm for Turkey joining the EU. But it's too simple to say that will make us all well-off and solve all our problems. Since the referendums in France and the Netherlands, Europe is preoccupied with itself. Various ideas are competing with one another about the character of the Union. Will Europe define itself exclusively through the past ? This is a conservative view and can ultimately be reduced to discussions on agricultural policy and the distribution of funds. This is always the case with short-term politics. But in the long term Europe needs an all-encompassing vision of itself and for that reason I recommend that Turkey joins.
character men honest
For the traveler we see leaning on his neighbor is an honest and well-meaning man and full of melancholy, like those Chekhov characters so laden with virtues that they never know success in life.
american-novelist elections figured hope improve point policy voters win
At some point they figured out that you can win elections with a pro-European policy because the voters hope this will improve their lives.
perhaps
I think perhaps it is a generational thing,
age announcing living means modernity notice themselves vanish
Modernity means overabundance. We are living in the age of mass-produced objects, things that come without announcing themselves and end up on our tables, on our walls. We use them - most of us don't even notice them - and then they vanish without fanfare.
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When people read a novel 600 pages long, six months pass, and all they will remember are five pages. They don't remember the text - instead, they remember the sensations the text gives them.
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When I write, I feel that I'm writing with my intellect. When I paint, I think it's some other force making me paint. I - as I wrote in my novel 'My Name is Red' - watch with amazement what my hand is doing on the paper, what kind of line, what kind of strange, beautiful thing it's doing in spite of my will, so to speak.
cultures islam judge people produce radical sorry time
We should not judge Islam by terrorists. All civilizations and cultures produce terrorists. Every time there is a flag-burning, killing, or provocative films, I'm worried, not because something radical will happen, and this time, some people are killed. We're very sorry for that.
artistic change embracing radically somehow
To appropriate an invention, be it artistic or technical, you have to have at least a part of your spirit embracing it so radically that you somehow change.
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These political movements flourish on the margins of Turkish society because of poverty and because of the people's feeling that they are not being represented.
bad clearly good helps manage mechanism
Self-hatred is OK. I have self-hatred, too. It's OK. What's bad is if you don't know how to get out of it, don't know how to manage it. Self-hatred is, in fact, a good thing if you can clearly see the mechanism of it, because it helps you to understand others.
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My home is attached to a study - in fact, my home is my study, and I have a little room to sleep in. I need to write looking onto the street or a landscape. Looking at reality from some distance gives me romantic visions.
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Museums are western inventions where the rich and the powerful or the government and the state tend to exhibit the signs and symbol and images of their culture.