Northrop Frye
Northrop Frye
Herman Northrop Frye, CC FRSCwas a Canadian literary critic and literary theorist, considered one of the most influential of the 20th century...
NationalityCanadian
ProfessionPhilosopher
Date of Birth14 July 1912
CitySherbrooke, Canada
CountryCanada
home simple men
The simple point is that literature belongs to the world man constructs, not to the world he sees; to his home, not his environment.
art people use
Those who are concerned with the arts are often asked questions, not always sympathetic ones, about the use or value of what they are doing. It is probably impossible to answer such questions directly, or at any rate to answer the people who ask them.
art memories trying
A public that tries to do without criticism, and asserts that it knows what it wants or likes, brutalizes the arts and loses its cultural memory. Art for art's sake is a retreat from criticism which ends in an impoverishment of civilized life itself.
men water-of-life tree
The entire Bible, viewed as a "divine comedy," is contained within a U-shaped story of this sort, one in which man, as explained, loses the tree and water of life at the beginning of Genesis and gets them back at the end of Revelation.
book may old-testament
The Book of Revelation, difficult as it may be for "literalists," becomes much simpler when we read it typologically , as a mosiac of allusions to Old Testament prophecy.
supremacy
The supremacy of the verbal over the monumental has something about it of the supremacy of life over death.
art what-if criticism
What if criticism is a science as well as an art? Not a pure or exact science, of course, but these phrases belong to a nineteenth-century cosmology which is no longer with us.
mean doubt dies
The bedrock of doubt is the total nothingness of death. Death is a leveler, not because everybody dies, but because nobody understands what death means.
kings stupid sheep
The metaphor of the king as the shepherd of his people goes back to ancient Egypt. Perhaps the use of this particular convention is due to the fact that, being stupid, affectionate, gregarious, and easily stampeded, the societies formed by sheep are most like human ones.
men apocalypse screens
Man creates what he calls history as a screen to conceal the workings of the apocalypse from himself.
believe opposites belief
The Bible is not interested in arguing, because if you state a thesis of belief you have already stated it's opposite; if you say, I believe in God, you have already suggested the possibility of not believing in him. [p.250]
art moving science
Science begins with the world we have to live in, accepting its data and trying to explain its laws. From there, it moves toward the imagination: it becomes a mental construct, a model of a possible way of interpreting experience. The further it goes in this direction, the more it tends to speak the language of mathematics, which is really one of the languages of the imagination, along with literature and music. Art, on the other hand, begins with the world we construct, not with the world we see. It starts with the imagination, and then works toward ordinary experience.
children work thinking
Work, as we usually think of it, is energy expended for a further end in view; play is energy expended for its own sake, as with children's play, or as manifestation of the end or goal of work, as in "playing" chess or the piano. Play in this sense, then, is the fulfillment of work, the exhibition of what the work has been done for.
fall dying together
Myths, as compared with folk tales, are usually in a special category of seriousness: they are believed to have "really happened,"or to have some exceptional significance in explaining certain features of life, such as ritual. Again, whereas folk tales simply interchange motifs and develop variants, myths show an odd tendency to stick together and build up bigger structures. We have creation myths, fall and flood myths, metamorphose and dying-god myths.