Neil Gaiman

Neil Gaiman
Neil Richard MacKinnon Gaiman is an English author of short fiction, novels, comic books, graphic novels, audio theatre, and films. His notable works include the comic book series The Sandman and novels Stardust, American Gods, Coraline, and The Graveyard Book. He has won numerous awards, including the Hugo, Nebula, and Bram Stoker awards, as well as the Newbery and Carnegie medals. He is the first author to win both the Newbery and the Carnegie medals for the same work, The...
NationalityBritish
ProfessionNovelist
Date of Birth10 November 1960
CityPortchester, England
You're a big one,[...] a tall drink of water, but I got to tell you, you don't look too bright. I got a son, stupid as a man who bought his stupid at a two-for-one sale, and you remind me of him.
The only reason people die, is because EVERYONE does it. You all just go along with it. It's RUBBISH, death. It's STUPID. I don't want nothing to do with it.
I'm never, I hope, stupid enough to believe that Twitter or blogging or any of this stuff is a substitute for actually doing the work or writing a book.
Sometimes life is hard. Things go wrong—in life and in love and in business and in friendship and in health and in all the other ways that life can go wrong. And when things get tough, this is what you should do: make good art. . . . Someone on the internet thinks what you’re doing is stupid or evil or it’s all been done before: make good art. Probably things will work out somehow, eventually time will take the sting away, and it doesn’t even matter. Do what only you can do best: make good art.
Then, one stupid person, no different from any other stupid person, wanders into your stupid life...you give them a piece of you. They don't ask for it. They do something dumb one day like kiss you or smile at you, and then your life isn't your own anymore.
Everybody has a secret world inside of them. I mean everybody. All of the people in the whole world, I mean everybody — no matter how dull and boring they are on the outside. Inside them they've all got unimaginable, magnificent, wonderful, stupid, amazing worlds... Not just one world. Hundreds of them. Thousands, maybe.
When I started doing Sandman, I could look at a group of people lined up to get my autograph, and I knew who was my fan and who was somebody's mum there to get a signature. It doesn't work that way anymore. They're people. They're us. That's what they look like.
Fat Charlie wasn't sure that he liked freedom, ... There was too much open air involved.
You are time. Foul time, who steals the gold from a maiden's hair and takes the sapphire from a child's eyes. Dark time, who has stolen from every thing there ever was all the things that it held precious and divine... And left nothing but ashes and memories and the grave.
The best thing I think about me and Dave as a creative team is, we don't have to work together. We both have individual careers,
When you're 11, walking home from school through this strange little English landscape, running these weird, wonderful things through your head ... well, now this is one of those 'I've never told anybody this before' things,
Writing a book is lonelier and slower than writing comics. The joy of comics is that you have somebody to talk to. What you're writing isn't what anybody reads, it's a letter to an artist. There's immediate gratification as you start getting feedback on it.
Oh, tweeting prolifically is the most easy thing in the world. Tweeting prolifically is like somebody saying, 'Boy, you're a really good walker around,' you know. It's not really hard.
The joy of doing 'Sandman' was doing a comic and telling people, 'No, it has an end,' at a time when nobody thought you could actually get to the end and stop doing a comic that people were still buying just because you'd finished.