Nate Parker

Nate Parker
Nate Parkeris an American actor, director, producer, writer and musical performer who has appeared in Beyond the Lights, Red Tails, The Secret Life of Bees, The Great Debaters, Arbitrage, Non-Stop, Felon and Pride. He was an All-American wrestler at both Great Bridge High School and the University of Oklahoma. Parker has been active in charitable work, donating his time both as a volunteer wrestling coach and a political activist...
NationalityAmerican
ProfessionMovie Actor
Date of Birth18 November 1979
CityNorfolk, VA
CountryUnited States of America
I think Jesse [Zwick] is part of a new generation of director, because we'd be kidding ourselves if we did not acknowledge that there is this unsaid rule that the hero looks a certain way.
The good thing about a film, or at least the films I've been a part of, is, no matter what happens in the end, you do the premiere and everyone's excited. You don't remember the rough times.
I think chemistry and great acting go hand-in-hand.
I can't remember ever having a conversation about the definition of consent when I was a kid. I knew that no meant no, but that's it.
This is the psychosis of being a human being - the things that we deal with on a day-to-day basis that make us who we are and that sometimes we have to get on the couch and talk out.
Because we are a conglomerate of our experiences - you take away any experience and you take away a piece of identity. You take away a piece of identity and we don't really know who we are.
Self-esteem and identity are very fragile things. I think a lot of times, those are the motivations for why people do take their own lives - not being seen, not being recognized, not being loved, not feeling supported, not feeling understood.
I don't want to be a leader that is one-dimensional or two-dimensional because he's not willing to be open.
I think it takes a lot of courage to be able to direct a film. If you have that courage and that vision together, and you pick the cast that you believe will achieve your vision, you win.
A lot of those old ideas are dying with the people who created them, and there's this new generation of filmmaker that's saying, "We're in this together, these are issues that we all deal with, let's just present issues to screen without bias and figure out what the audience has to say about them."
I want young people to ask me if I'm serious. Our young people have been lied to and misled for so long. When I stand on this soapbox, I want young people to ask me that because once they know I'm serious, they'll be willing to ride with me.
I need to take toward a lot of things that will refine me and make me better suited for leading anyone out of any place of injustice to a place of justice.
When an artist becomes complacent, he dies.
I prefer to make movies which not only have a message for "then" but a message for "now."