Morris Gleitzman
Morris Gleitzman
Morris Gleitzmanis an English-born Australian author of children's and young adult fiction. He has gained recognition for sparking an interest in AIDS in his controversial novel Two Weeks with the Queen...
NationalityEnglish
ProfessionChildren's Author
Date of Birth9 January 1953
facing realised sentence soon stuck trying
I used to get stuck trying to find the first sentence of a story, then I realised that it was often because I didn't know what problem a character was facing in the story. As soon as I did, I could have the character trying to do something about it or have the problem whack him between the eyes.
among changed forest found liked poor potent realised tall
Because of my poor writing posture, I started walking in the forest every day, and I found it a potent place to be creatively. It changed me in that it was a new way of doing my creative process, and I realised how much I liked being among tall trees.
deeply enjoyed found kid kids realised stories until wrote
I wrote stories as a kid just for myself. One day, some of the kids in my class found some of my stories in my bag, and I was deeply embarrassed until I realised they enjoyed reading them.
fearless halfway humour learned maybe physically prevail primary punch quickly realised situations somebody trying using worked
Halfway through primary school, I realised that I was not as physically strong or fearless as many kids. So, in situations of conflict, I quickly learned that it worked better for me to get out of situations or maybe kind of, you know, prevail in a conflict situation by using humour than by trying to punch somebody out.
books change great nearly reading shock stopped
In 1969, we emigrated to Australia. It was a big change. The heat, the flies, and the completely different tinned meats. The shock was so great, I stopped reading books for nearly a year.
along anarchy bit dangerous physically power taking
In all of my books, I'm taking them on an emotionally challenging and sometimes physically dangerous process with a bit of fun and anarchy along the way. With the power comes responsibility.
allow children develop easily produces scared strengths themselves
I want to help children develop strengths that allow them to feel they don't have to push things away mentally... If we 'cotton-ball' kids, it produces adults who are too scared to think for themselves and are easily manipulated.
develop developed newly readers sort stories using
I like the idea of young readers using my stories as a sort of moral gym, where they can flex and develop their newly developed moral muscle.
images places scary stories
Boys, particularly, like stories where they can have images in their imagination, where they can go to scary places and experiment with what can happen.
bring engaging stories
Stories can bring alive the moral universe in a very vivid, useful, engaging way.
aware becoming importance interested readers setting slowly stories younger
I've always been interested in setting my stories against a big event, the importance of which my younger readers are slowly becoming aware of as they move into their teens.
carries named
I've always been aware that to be named after someone from the past carries with it all kinds of bittersweetness.
beneath caught moved
If we get caught up in a story, it's because we've started to care about the characters, and that can only happen if we've moved beneath the surface.
closer discovered feelings
I discovered you can get closer to a character's thoughts and feelings in a book than in a film.