Mitchell Hurwitz
Mitchell Hurwitz
Mitchell D. "Mitch" Hurwitzis an American television writer, producer, and actor. He is best known as the creator of the television sitcom Arrested Development as well as the co-creator of The Ellen Show, and a contributor to The John Larroquette Show and The Golden Girls...
NationalityAmerican
ProfessionTV Producer
Date of Birth29 May 1963
CityAnaheim, CA
CountryUnited States of America
thinking creative bigs
I think it's a big part of being a creative person.
character creative guy
I've never had a working relationship like I have with them. I developed a lot of the design of this show with them. That conversation was about, "What are your needs? What are you looking for? Will this work for you guys? Will a show work where you've got one episode per character?" They really were a creative partner.
creative decision trying
We will be looking at things like the confluence of a scene, and we still have all these creative decisions to make. In general, we're going to just try to make these under a half-hour. We're going to try to take that kind of cable TV comedy model.
awards people creative
Thanks to the critics and thanks to the Emmys, we got all sorts of great reviews and notices and awards, at the start. Part of it is that it's great fortune to have something to live up to, but as creative people, we all have to just put that aside and go forward, make the best product we can, have as joyous of an experience as we can, and really remember that the spirit of this was to surprise the fans with something that they didn't see coming.
opportunity creative be-creative
The more constraints I have, the more opportunities I have to be creative to fix those constraints.
applied apply peril trying
There's real peril in trying to repeat yourself, and apply rules that applied to something else to a new project.
amazing forced golden ground learn start unusual
You know, 'The Golden Girls' was a very unusual show to start on. I was young, and it was a show about old people, and it was a very traditional show, but it was also an amazing training ground for a joke-writer. It forced me to learn those skills.
model people shows work
Shows don't reunite because television doesn't work that way. There's no profit model and people go off to do other work.
clothes funny sign somebody walks
When you don't have a laugh track, you can make the clothes funny. We can make a sign funny. We can make the way somebody walks funny. The makeup can be funny.
america connects disdain family hold looked mirror showing society tried
With 'Arrested Development,' we tried showing the deep disdain that connects a family. We wanted to hold up a mirror to American society. And, just as predicted, America looked away.
allowed definitely field further luxury push whatever worry
It's like, if I had the luxury of choice, and didn't have to worry about making a living, I would definitely want to get into whatever field it was that allowed me to push further and further comedically. Because that's the joy of it.
confident hardest job nobody paying
When we were making 'Arrested Development,' it was the hardest thing I'd ever done. You know, nobody was watching. We weren't getting feedback. The job wasn't paying very well. But the one thing I did feel confident about was: No one will ever be able to do this again. Because no one would be stupid enough to try.
came complex eight emerging golden keeps per scenes
When I was on 'The Golden Girls,' we'd have eight scenes per show. And when 'Seinfeld' came along, they went to, like, 30 scenes a show, which was revolutionary. 'Arrested Development' has probably got 60 scenes per show. It just keeps emerging as this more and more complex thing. I always try to keep it very simple at its heart.
families love
What's realistic to me is that families love each other and stand by each other. What's unrealistic is that they would ever say that.