Mitchell Hurwitz
Mitchell Hurwitz
Mitchell D. "Mitch" Hurwitzis an American television writer, producer, and actor. He is best known as the creator of the television sitcom Arrested Development as well as the co-creator of The Ellen Show, and a contributor to The John Larroquette Show and The Golden Girls...
NationalityAmerican
ProfessionTV Producer
Date of Birth29 May 1963
CityAnaheim, CA
CountryUnited States of America
watches knees gains
My knee-jerk is that it is comedy and, if you watch them all back-to-back, you will gain something and you will lose something.
fun might gains
What you'll gain is the macro story. You'll get a good command of that. And what you might lose is some of the fun of it.
reading thinking order
But, you have to watch them in order. That's very important because, as it turns out, stories have to be told in order. It's like reading a novel. There are times when it's tiring. And then, you get hooked and it's a page-turner, and you really want to keep reading. I do think there will be some fatigue that sets in.
fun want rewards
I always feel funny when I don't reveal things, especially to you [the press], who have supported us so much and are really the big reason we're here. But, we hold back information about the plot because we want to reward the fans for sticking with us, and that's so much fun. That's the funnest part of it.
giving people decision
I could vomit, right this moment. I literally could vomit on cue. Yes. Here's the truth of that. We didn't have a big audience, obviously, when we made the show. Very early on, we made a decision that we were going to try to give the fans and the people that were loyal to us something that they felt was special.
successful development half
Well, at the time, you have to remember that we were not successful. The Showtime offer, as it was presented to me, was half the money for half the show. I was not interested, at that point, in doing a smaller cast and a more simplified Arrested Development.
nice thinking compelling-reason
I don't know how that budget would have been worked out, but that was the initial idea. Obviously, we couldn't have had a show with nine expensive actors in it. It was very nice that they were even interested in doing that. But, I was so proud of what we'd done that I couldn't think of a compelling reason to do a lesser version of it.
talking numbers people
People have outs for numbers of episodes, usually, written into their contract. Some studios will say, "We're going to let Julia Louis-Dreyfus off of Veep to do three episodes, but not three episodes of the same show." But, that's all business affairs, so I'm talking over my head here.
character creative guy
I've never had a working relationship like I have with them. I developed a lot of the design of this show with them. That conversation was about, "What are your needs? What are you looking for? Will this work for you guys? Will a show work where you've got one episode per character?" They really were a creative partner.
issues trying violence
Violence has not really been an issue. Even in my wildest hopes, I wasn't trying to get violence in.
development easy shows
There are a lot of things that are in the show that harken back to the old show, but I really wanted to resist doing a greatest hits. It was irresistible to do a greatest hits, but it was almost too easy. There are things that I know are still ahead of us, in the future of whatever Arrested Development brings.
way netflix scene
I hope to take advantage of the Netflix organism and see if there are ways to get in new material and see if there are ways to do deleted scenes.
missing together would-be
Even on the old show, we would maybe not all be in the scene. Sometimes there would be a penthouse scene and everyone would get together. But, even in that context, it would be because somebody was missing.
negative reviews easier
It's much easier to say negative things in a review.