Milo Ventimiglia
Milo Ventimiglia
Milo Anthony Ventimiglia is an American actor. He is known for his role as Peter Petrelli on the NBC television series Heroes. Ventimiglia's first career break was in the Fox series Opposite Sex, playing Jed Perry, the protagonist of the show. Ventimiglia was first noticed by fans during his three-year stint on the WB series Gilmore Girls, playing Rory Gilmore's love interest Jess Mariano from 2001 until his final appearance in 2006...
NationalityAmerican
ProfessionTV Actor
Date of Birth8 July 1977
CityAnaheim, CA
CountryUnited States of America
Think about the physical act of pulling a trigger. The amount of pressure it takes to pull a trigger or the speed it takes to shove a sharp object into somebody. The psychology behind it. Why people kill? Why people don't kill?
I learned that I'm not young enough to think I know everything. Honestly. I think you hit a certain point in life where you expect that you have so much to learn, and you may think that you've arrived, but you have kind of just begun.
I don't like to have to depend on someone else to reset the props. It's like, "No, you've gotta take responsibility for it." I know how things fit and feel. To reset that stuff myself, it's easy. The prop guys are hilarious because I'll have one set of gloves and I'll keep reusing them to get the most out of it. They're like, "We've got boxes of these."
It's [high school] an interesting time in your life because you're trying to act older and mature but you really have no idea what you're doing. You're scared and it's okay to be scared. It's okay to not know completely what you want or what you should be doing and to stumble a little bit.
I'm a homebody. I'd rather be in the kitchen cooking than hanging out in a bar.
You have to pay attention to the work on the page and make it as good as possible because it could be your last.
I think that's something that always enticed me about the '40s - back then, the glamour and the style - you couldn't really make it up. You just were or you weren't. You either fit in that world or you fit in the other. Things were very cut and dry. Things were simple. There wasn't a whole lot of excess or flash to be flashy; it was real flash, and real excitement.
I try to find something in everyone that I play - even the most heinous ones. You have to find something that is real and vulnerable about everything that you play.
Sometimes you're working in highly emotional scenes and you'll get lost in the moment. You're having fun with your friend at work. It's an opportunity to give to them as much as they've given back to you.
For me, digital is just another avenue. It doesn't mean that it has to be poor quality or poor content. But, you still run into the same struggles. You can't have full-on language, violence or sexual situations. You can't run rampant with the fact that it's digital. You can't do anything you want. You still have a responsibility to tell a story first, and show what the character is going through first, and then maybe you have a little bit of lee-way to show a more real side of life.
I felt like it was something that didn't represent how I wanted to present myself. Now I'll see kids I come across on Twitter or Comic-Con, and they'll smile and I'll be like, "You have a crooked mouth like I have a crooked mouth!" We just sit there, and I talk about it with them and they feel better about themselves.
I love being around people that contribute. It doesn't matter where the good idea comes from. A good idea is a good idea.
It's an all-inclusive package, when you get to be creative and run a little country while you're on a set and doing it with people that you enjoy working with and you all have a say in it.
People forget that actors are actors, who are looking to put on the clothes and the character, and then shed it just as easily.