Mike Nichols
Mike Nichols
Mike Nicholswas a German-American film and theatre director, producer, actor and comedian. He was noted for his ability to work across a range of genres and an aptitude for getting the best out of actors regardless of their acting experience. Nichols began his career in the 1950s with the comedy improvisational troupe, The Compass Players, predecessor of The Second City, in Chicago. He then teamed up with his improv partner, Elaine May, to form the comedy duo Nichols and May...
NationalityGerman
ProfessionDirector
Date of Birth6 November 1931
CityBerlin, Germany
CountryGermany
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The thing about being an outsider... is that it teaches you to hear what people are thinking because you're constantly looking for the people who just don't give a damn.
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Never let people see what you want, because they will not let you have it. Never let anybody see what you feel, because it gives them too much power. You're probably better off not showing weakness whenever you can avoid it, because they'll go for you.
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There are absolutely almost perfect people who experience no guilt; they don't know what it is. They simply do what they need to do - or want to do - next. They see nothing wrong with it. They feel no guilt. They express no guilt. And it's not even certain what harm they do.
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The degree to which you're peculiar and different is the degree to which you must learn to hear people thinking. Just in self-defense you have to learn, where is their kindness? Where is their danger? Where is their generosity?
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I never understand when people say, 'Do you do comedy or tragedy?' I don't think they're very much different. They both have to be true, and there isn't a great play in the world that doesn't have funny parts to it - as 'Salesman' does, as 'King Lear' does. The whole idea is to reflect life in some way, which means surely you have to have both.
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You can always tell gifted and highly intelligent people as they always turn to the past. Any young person who knows anything that happened before 1980, or 1990, or 2000 for that matter, is immediately someone who is intelligent, probably creative, maybe a writer. Nobody who is drawn to the past and learning about the past is not gifted.
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Stand-up comedy is a very hard thing on the spirit. There are people who transcend it, like Jack Benny and Steve Martin, but in its essence, it's soul-destroying. It tends to turn people into control freaks.
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Things come in waves, and I'm always more interested in places like, for instance, Chicago, where people don't follow fashion. They're not galloping past your window on the way to the latest anything. They're living their lives. You do a play, they come and see it and say, 'That's nice', and then they go home.
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If you're fleeing Nazi Germany in 1939 and you're a Jew, you don't think so much about relationships. People didn't have a lot of divorces during the Holocaust, for instance.
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It's the hardest thing on earth to like yourself, and then when you do, it's a catastrophe. I mean, the people I know who like themselves - I don't want to see them!
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I have never understood people dividing things into dramas and comedies,
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The greatest thrill is that moment when a thousand people are sitting in the dark, looking at the same scene, and they are all apprehending something that has not been spoken. That's the thrill of it, the miracle - that's what holds us to movies forever. It's what we wish we could do in real life.
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You could say that it's in talking movies that inner life begins to appear. You can see things happen to the faces of people that were neither planned nor rehearsed.
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I used to say that winning the Oscar means being back at the Beverly Hills Hotel at 1 A.M. feeling empty. It's the industry voting. It doesn't come from God. It doesn't change your life, really.