Michel Gondry
Michel Gondry
Michel Gondryis a French independent film director, screenwriter, and producer. He is noted for his inventive visual style and distinctive manipulation of mise en scène. He won an Academy Award for Best Original Screenplay as one of the writers of Eternal Sunshine of the Spotless Mind, which is often ranked one of the greatest films of the 2000s...
NationalityAmerican
ProfessionDirector
Date of Birth8 May 1963
CityVersailles, France
CountryUnited States of America
blue actors connecting
I read about some movie where they did everything on blue screen, and the actors were not even connecting to each other.
jobs cutting jumping
I don't call cut between the takes - it's my way to help the actor keep focused. As soon as you say 'cut' you have 10 people jumping on them and everybody's trying to do a great job, and they do, but sometimes they forget that the more important thing is the performance, creating the performance.
thinking ideas brain
I think animation is a very truthful way to express your thoughts, because the process is very direct. That's what I've always liked about animation, particularly abstract animation. You go from the idea to execution, straight from your brain. It's like when you hear someone playing an instrument, and you feel the direct connection between the instrument and his brain, because the instrument becomes an extension of his arms and fingers. It's like a scanner of the brain and thought process that you can watch, or hear.
cousin sleep kids
I've always loved 3D. In fact, as a kid, I was exposed to 3D at an early age because my grandfather was a specialist of 3D in cinematheques. And then my cousin put it in 'Science of Sleep' with toilet paper tube cities. But he was a specialist and I always wanted to do something in 3D.
technology use method
I'm not against the technology at all, I just don't like to use it if it's just to mimic what you can do with traditional methods.
philosophy thinking needs
You need philosophy. It sounds a little pompous but I think when you direct a film, the only way to find a response to the questions you keep asking yourself is to have a philosophy.
moving ideas track
The first dolly track was somebody who had the idea to put the camera on a boat on a canal. So the boat would move very slowly but steadily. So they would see all that surrounds you and you'd see the landscape changing slowly. So that was the first time.
stars hero ideas
I'm attracted to working with comedians because they don't have that stars' idea of what a hero should be. The downside is they're always addressing the camera too much.
believe voice people
People who get to express their voice are paid by the people who make profit from it. So they're going to make you believe you have to spend your money buying these products otherwise you won't be happy. This is really wrong. Especially the implication it carries.
years appreciate quality
Michael Jackson will always be my favorite pop musician; he was for years and years until his death, which was horrible to me. So I like pop culture. But to me, even if it's popular, there is a quality in the music you have to be able to appreciate.
thinking actors want
When I shoot actors, I have that dilemma. I want the actor to be good, and sometimes I have to push them to a place that isn't pleasant. I always think: 'Is it worth doing for the sake of the movie?' But I have to remember the bigger picture.
squares phones light
That's what the internet is: it's like bombarding your eyeballs with these myriad blinking colour lights. It's like trying to watch a movie on your phone in the middle of Times Square.
song home garden
My grandfather lived across the garden from us, and in his attic he had a lot of radios, appliances and inventions that he had made over 50 years, such as a keyboard called a clavioline, which can be heard on some Beatles songs - it was popular in the 60s. So we had all that at home.
jobs reality emotional
It's part of my job to maintain the emotional reality and the naturalism even when the atmosphere is contrived.