Michael Stipe
Michael Stipe
John Michael Stipeis an American singer, songwriter, musician, film producer, music video director, and visual artist. He was the lyricist and lead singer of the alternative rock band R.E.M. from their formation in 1980 until their dissolution in 2011...
NationalityAmerican
ProfessionRock Singer
Date of Birth4 January 1960
CityDecatur, GA
CountryUnited States of America
writing thinking joy
When I write, I tend toward melancholy, and the few times that I've tried pure joy in music, it doesn't really work that well. The joy can be through catharsis. I think that's what I do well, and observation.
mistake looks done
I started lip-synching with "Losing My Religion." There were a few horrendous mistakes we made, but I own those mistakes. I'm embarrassed by them. I always say when I look back at anything I've ever done, it's with equal dollops of humiliation and triumphant glory.
optimism joyous constant
I don't find R.E.M. to be nihilistic. There is a constant undertone of joyous optimism. I'm not going to kill myself to Patti Smith or R.E.M.
song optimistic two
I've never written a song that's hopeless. I'm not a hopeless person. I'm crazily optimistic. I crazily see the good in people. I crazily see the way out of a terrible situation. I crazily try to be the diplomat. If there are two warring factions in my life, I want them to agree to disagree at the very least.
thinking play want
I distinctly remember a conversation with my band in the van where I was having a complete meltdown. It was 1984, I think, and I was huddled in the back corner of our van and saying, "I can't do this. I can't do this. I can't do this." I didn't want to play any more shows. I just wanted to stop.
kim kind said
I'm kind of quoting Thurston [Moore] and Kim [Gordon] in saying that about not being great with addicts, because they are the ones who said it to me.
abuse levels substance
Frankly I'm not great with heroin addicts. I tried heroin, but it was by accident. I'm not great with that level of substance abuse.
wall phones house
I simply constructed a project to try to snap Kurt [Cobain] out of a frame of mind. I sent him a plane ticket and a driver, and he tacked the plane ticket to the wall in the bedroom and the driver sat outside the house for 10 hours. Kurt wouldn't come out and wouldn't answer the phone.
night vulnerable stage
I was vulnerable every day. Every night that I stepped on stage I was laying myself open.
integrity thinking two
When we signed with Warner Bros., they knew what they were getting. They knew they weren't going to get some easily manipulated prepackaged pop group. That was not going to happen. What they wanted, I think, was the integrity that we had to offer. What they wanted was the kind of street cred or cache that R.E.M. could bring to them and the chance that we would give them a hit or two. What happened was we gave them a bunch of hits. And we became huge.
guy trying calling
I was doing that [ a collaboration with Kurt Cobain] to try to save his life. The collaboration was me calling up as an excuse to reach out to this guy. He was in a really bad place.
baby sex gay
By the time [of modern] generation was coming of age sexually, there was already this idea of safe sex. But that didn't exist for me. I came out of the free-swinging '60s and '70s. It was free love, baby. That was it. We had very liberal sex-ed classes in 1973, a yearlong environmental science class, and then Women's Lib and Gay Liberation. So it's insane to go from that to Reagan and AIDS. It was like, "What happened? Where's my future?"
courageous persons
I'm afraid of everything. I'm not a naturally courageous person.
horse new-york order
[Columbia House] magazines were how I found out about the punk world going on in New York. Because of what I read, at the age of 15, I hounded the local record store to order a copy of Horses [1975] for me by Patti Smith.