Michael Morpurgo
Michael Morpurgo
Michael Morpurgo, OBE, FRSL, FKC, DL is an English book author, poet, playwright, and librettist who is known best for children's novels such as War Horse. His work is noted for its "magical storytelling", for recurring themes such as the triumph of an outsider or survival, for characters' relationships with nature, and for vivid settings such as the Cornish coast or World War I. Morpurgo became the third British Children's Laureate, from 2003 to 2005...
NationalityEnglish
ProfessionChildren's Author
Date of Birth5 October 1943
CitySt Albans, England
Some writers - most, I suspect - write in isolation. I think I'd always found that quite difficult.
You get to about 65 or 70 and you lose friends and the world does seem to be an endlessly difficult place and tragic place, so it's more and more difficult for me to find the bright lights.
I was rather a poor student, too easily distracted - did a lot of gazing out of windows, fine for training to be a writer, but not a great way to achieve in the classroom. The truth is that I was happy to bumble along and do enough to avoid detention, but not much more.
I was never a great reader, but there were two stories I loved best: Kipling's 'The Elephant's Child' and 'The Jungle Book.' Deep down, I've always wanted to write a book about a wild child and an elephant.
Marry someone who flatters you. Because I've written 80 books since 'War Horse' but when my wife reads one, all she says is, 'It's quite good, but it's not as good as 'War Horse,' is it?'
Only the best books are special. Why? Because they open our eyes, touch us, excite us, extend us.
Much that is great in literature is an acquired taste, and you have to acquire it in the first place. Our job as parents is essentially to pass on the enthusiasm we had for the things we loved. That's how we'll get them to fall in love with reading in the first place and, hopefully, to stay in love with it.
With reading, I was very lucky. I had a mother who read to me, not because she had time - she was a busy woman - but she found 10 minutes to come and sit on my bed with a book.
When I was very little my mother would read to me in bed. She gave me a fascination for stories, and for the music in words.
When children are very young, you read them books that are positive to help them go to sleep. But there comes a moment when they begin to understand the difficulties of the world. They know there are problems and the books they read should reflect that, not gloss over them.
When I sit down I write very fast... if I haven't finished a book in two or three months then I think it's not going well.
With all editing, no matter how sensitive - and I've been very lucky here - I react sulkily at first, but then I settle down and get on with it, and a year later I have my book in my hand.
When I was growing up in the Forties and Fifties, you could hide your children from the difficulties of life, but today you can't separate children's contact with the adult world today.
Paying more heed to the lessons of the past might teach us to be a little more cautious about some of the political decisions taken today.