Michael Ian Black
Michael Ian Black
Michael Ian Blackis an American comedian, actor, writer, and director. He has starred in several TV comedy series, including The State, Ed, Viva Variety, Stella, Wet Hot American Summer: First Day of Camp, Tim and Eric Awesome Show, and Michael & Michael Have Issues. He is also a poker player, appearing on Celebrity Poker Showdown several times. He released his first children's book, Chicken Cheeks, in 2009, and has since released six more, in addition to four books for adults...
NationalityAmerican
ProfessionComedian
Date of Birth12 August 1971
CountryUnited States of America
I used to need the character but as I've gotten older I need it less and less - I prefer to play some version of myself. To approach any acting job as me just being me.
Part of what's exciting to me about my career is the constant looking forward. Whenever I finish one project, I am looking to what's next.
I'm not sure what it would mean to have "made it." Made what? Yes, I can make a decent living in show business, so if that's the criteria, then I've made it. But that doesn't feel that important to me. The stuff that matters to me are the new challenges. I know that sounds hokey, but it's true.
I think people hate me pretty much across the board, which is nice.
When you're writing something, and you're putting yourself out there, or you're performing and someone comes in and savages that, then of course it feels personal. It doesn't feel like it's just business, because there's no business - it's not like we're conducting business, this anonymous critic and I. It's just that this person is tearing me a new asshole.
Sometimes the criticism is actually useful and constructive and actually informs what I do, but most of the time, it's sort of mindless, or they're receiving something on a different frequency than I was sending it. They're just not getting what I'm doing, and that's fine.
Any time I am involved in something from conception to execution, that's obviously a lot more personal, and I'm going to be more invested in it than something where I just show up for a couple days, shoot, and leave.
I'm trying to teach my children not to cry. That's the big thing. No crying. Because I think we can all agree that crying is, for the most part, for sissies. If my team loses, I'm going to cry. And I'm going to want my kids to see me crying. Not because I think sports are so important, but because I bet so much money on the game that we'll probably lose the house if my team doesn't win. That's something to cry about.
You can't write a children's book that takes more than five or six minutes to read, because it will drive the parents batty. It has to be compact. Nobody thinks about the parents when they write these stupid books. I could write longer children's books, but it would actually be bad if I did.
My goal is to work. That's the goal of most actors or performers: to work and keep working, and do the best you can, and keep growing and changing, trying to improve your craft.
That's been my fear all along. That I'm not enough, and I still don't trust at all that I am.
I imagine there's a level of narcissism that goes into thinking you're enough.
There's things I know I'm good at, and those things interest me less and less. I learn a lot more from doing it wrong than I do from doing it right.
My process is surprisingly straightforward. I find myself with little to do over a stretch of time and I say, "I should write children's books today." Then I sit down and write a children's book, and if it takes more than, realistically, three hours, I feel like I've done something wrong.