Michael Cunningham
Michael Cunningham
Michael Cunningham is an American author and screenwriter. He is best known for his 1998 novel The Hours, which won the Pulitzer Prize for Fiction and the PEN/Faulkner Award in 1999. Cunningham is a senior lecturer of creative writing at Yale University...
NationalityAmerican
ProfessionNovelist
Date of Birth6 November 1952
CountryUnited States of America
arty book dignity few march maybe sell shared thousand view whatever
If anything, I thought - and this view was shared by my publisher - that "The Hours" was going to be my arty little book and sell maybe a few thousand copies, and march with whatever dignity it could muster to the remainders tables.
arty book dignity few march maybe sell shared thousand view whatever
If anything, I thought - and this view was shared by my publisher - that ""The Hours"" was going to be my arty little book and sell maybe a few thousand copies, and march with whatever dignity it could muster to the remainders tables.
books both complete critically great last popular
As any student of literature knows, the books that last are often not the books that are most popular when they are written. Both 'Moby Dick' and 'The Great Gatsby' were complete failures, critically and commercially, when they first appeared.
book betrayed want
If you've really loved a book, or a movie for that matter, really loved it, what you want is that same book again, but as if you've never read it. And when you get something unfamiliar, you feel betrayed.
book kissing first-kiss
I suspect any serious reader has a first great book, just the way anybody has a first kiss.
book writing artist
The lives great artists live and the books they write are two very different things.
book writing secret
Here's a secret. Many novelists, if they are pressed and if they are being honest, will admit that the finished book is a rather rough translation of the book they'd intended to write.
book tired world
She is, above all else, tired; she wants more than anything to return to her bed and her book. The world, this world, feels suddenly stunned and stunted, far from everything.
book years needs
I encourage the translators of my books to take as much license as they feel that they need. This is not quite the heroic gesture it might seem, because I've learned, from working with translators over the years, that the original novel is, in a way, a translation itself.
moving book believe
Jenny Offill's Dept. of Speculation resembles no book I've read before. If I tell you that it's funny, and moving, and true; that it's as compact and mysterious as a neutron; that it tells a profound story of love and parenthood while invoking (among others) Keats, Kafka, Einstein, Russian cosmonauts, and advice for the housewife of 1896, will you please simply believe me, and read it?
book dark fire
You have started the book with this bubble over your head that contains a cathedral full of fire - that contains a novel so vast and great and penetrating and bright and dark that it will put all other novels ever written to shame. And then, as you get towards the end, you begin to realise, no, it's just this book.
book school years
Virginia Woolf's great novel, 'Mrs. Dalloway,' is the first great book I ever read. I read it almost by accident when I was in high school, when I was 15 years old.
book paper matter
I know, speaking for myself, no matter what I'm able to do, no matter what book comes out and ends up on paper, I always had something bigger and grander in my head.
war book writing
Virginia Woolf came along in the early part of the century and essentially said through her writing, yes, big books can be written about the traditional big subjects. There is war. There is the search for God. These are all very important things.