Matt Groening
Matt Groening
Matthew Abram "Matt" Groening is an American cartoonist, writer, producer, animator, and voice actor. He is the creator of the comic strip Life in Helland the television series The Simpsonsand Futurama. The Simpsons has gone on to become the longest running U.S. primetime television series in history, as well as the longest running animated series and sitcom...
NationalityAmerican
ProfessionCartoonist
Date of Birth15 February 1954
CityPortland, OR
CountryUnited States of America
We did 'The Simpsons Movie,' which took almost four years; it was the same people that do the TV show, and it just killed us. So that's why there hasn't been a second movie. But I imagine if the show ever does go off the air, they'll start doing movies.
English? Who needs that? I'm never going to England.
We have 'Doctor Who' references on 'Futurama,' but we have a lot of science fiction references that I don't get; but in the staff we have experts on 'Star Trek,' 'Star Wars,' 'Doctor Who' and 'Dungeons and Dragons.'
With 'Futurama,' I wanted to do unrequited love, and David Cohen agreed, and although our original plan was never to have Fry and Leela get together, we finally just said, 'You can only string the fans along so far.'
When The Simpsons came around, there really was nothing else like it on TV. It's hard to imagine, but when Fox first took the plunge with it, it was considered controversial to put animation on prime time.
'The Simpsons' from the very beginning was based on our memories of brash '60s sitcoms - you had a main title theme that was bombastic and grabbed your attention - and when you look at TV shows of the 1970s and '80s, things got very mild and toned down and... obsequious.
The writers led by Mike Scully are fantastic. And they're creating original stories that not only don't repeat what we've already done, they also don't repeat anything I've seen on television.
'The Simpsons' basically - and 'Futurama' - are really smart shows. They're kind of disguised as these goofy animated sitcoms, but the references within the shows, if you're paying attention, are pretty smart and pretty sophisticated.
I grew up completely overwhelmed by TV, and part of the reason why I have gone into television is as a way to justify to myself all those wasted hours of watching TV as a kid. I can now look back and say, 'Oh, that was research.'
I had been drawing my weekly comic strip, 'Life in Hell,' for about five years when I got a call from Jim Brooks, who was developing 'The Tracey Ullman Show' for the brand-new Fox network. He wanted me to come in and pitch an idea for doing little cartoons on that show.
I have less to do with 'The Simpsons' every season, but I stick my nose in here and there. Basically, it's just trying to keep the characters consistent and making sure the show has a soul.
The scary thing about the future... there will be tiny cameras everywhere, and they'll be flying around like mosquitoes and drones. That will be bad. Drones are scary. You can't reason with a drone.
The really great thing about having two TV shows going on at the same time is that I can go to one and say that I have to go and visit the other, and then I can just go home, and they don't know.
The nice thing about 'Futurama' for me personally was that it was a way to honor some of the traditional ideas in literary science fiction, not so much movie or television science fiction - although we have that too, obviously. Our situation, a workplace comedy, led to all sorts of stuff.