Matt Bomer

Matt Bomer
Matthew Staton "Matt" Bomeris an American actor. He made his television debut with Guiding Light in 2001, and gained recognition with his recurring role in the NBC television series Chuck. He played the lead role of a con-artist in the USA Network series White Collar from 2009 to 2014. Bomer won a Golden Globe Award and received a Primetime Emmy Award nomination for his supporting role as Felix Turner, opposite Mark Ruffalo, in the HBO television film The Normal Heart...
NationalityAmerican
ProfessionTV Actor
Date of Birth11 October 1977
CityWebster Groves, TX
CountryUnited States of America
The last thing I want to do is having someone get behind a Montgomery Clift biopic, and then just do the first script that came out. Sometimes it takes a long time for these things to gestate. And I'm only going to do it if it's the right story that's told for the right reason, and that's relevant to this day and age, as much as it pays homage to who this man was. Should that happen during the time when I'm still young enough to play him, perfect. And if not, hopefully someone else will get to play him because I do think it's an incredible story.
I love that Amazon has this incredibly unique, diplomatic process where people's voices are heard, and we're using this great interconnectedness we have, via the internet, to weigh in and to have a say in what we want to see and what we don't.
I took movement classes that I wore my double-breasted suits to. I worked on my elocution because people spoke differently then. I was really trying to toe the line. I think that if I had spoken exactly the way that people spoke back then, it probably would have alienated people
I at least felt the obligation to speak clearly [in 'The last Tycoon']. This is pre-Brando and pre-James Dean. Nobody mumbled back then.
I very comprehensively studied Irving Thalberg and his biographies. He's who [Scott]Fitzgerald roughly modeled the character after. He worked for him, as a writer, when he was at MGM. And, of course, I revisited the novel and the politics of MGM and the studio system at the time and familiarized myself with the world. There was a great deal of physical and literary work that went into it.
I’ve been a con artist since I was 16 and trying to get my dad to buy me a car. I never succeeded, but I learnt a lot of tactics.
My parents raised me right, so I always open doors for people and try to have good manners.
When you are the avatar for the writer/director, a lot of times, I just trusted him. If he had a choice, even if it wasn't necessarily what was my first impulse, I was like, "This guy [Billy Ray] has been living with this for two years before I even came on board, so I'm going with him."
Anybody who is rude to anyone in the service industry is automatically out.
I pretty much got busted for everything, but I definitely stretched out my boundaries as a kid, as well.
I see myself working, making a living and doing projects that I'm passionate about, regardless of the medium.
My standard uniform is a T-shirt and jeans.
Look, none of the artists who I admire or respect have ever shied away from a role because it might make them unpopular with somebody.
Kids aren't born to be bullies, they're taught to be bullies.