Mary J. Blige

Mary J. Blige
Mary Jane Bligeis an American singer, songwriter, model, record producer and actress. Starting her career as a background singer on Uptown Records in 1989, Blige released her first album, What's the 411?, in 1992, and has released 11 studio albums since and made over 150 guest appearances on other albums and soundtracks...
NationalityAmerican
ProfessionR&B Singer
Date of Birth11 January 1971
CityNew York City, NY
CountryUnited States of America
No one intimidates me because I'm not trying to do what you do, because I can't do what you do. I can only do what Mary J. Blige can do, so that relaxes me right there, and it gets me out of the competition and that whole thing.
So as long as I'm a human being and I'm not perfect, I'm able to say I'm having some growing pains. Because in order to sustain where you are once you made such a breakthrough that everyone is looking at you, now everyone is like, 'Ooh, is she gonna make a mistake?' Yes, I'm going to make a mistake. Yes, I'm still gonna do things.
This music business can suck all the love out of you, all the compassion for people - you can start to think you're better than them. But I want to continue to let people know that I'm no better and no worse, I'm just like you.
When someone comes up to me and says, 'Mary, you helped save my marriage', or, 'Mary, you helped me get out of this abusive relationship', I'm in it, really in their lives. And I'm so passionate about my feelings, but also about showing people the way through theirs.
We are all spirits. We get depressed. But music makes you want to live. I know my music has saved my life.
I don't think I'll do foster care or adopt, to be quite honest.
The streets respect me because I kept it real with me. You gotta be real with yourself, and the streets recognize game.
Then my life crashed and burned down: trials, men, drama, no self-love, no identity. A little identity, but not a lot of love for myself, my life.
Working in the studio is a more personal experience whereas on stage in front of a billion people, its more exciting performing live.
As far as men go, they never gave me a chance to be me; they were always scared that somebody was going to take me.
It hurts a lot when you cannot really comprehend what a person is saying in a meeting, or you don't even understand what you're reading in your contract.
I've done well, I've been disappointed, and I think it all goes back to you. Of course the labels are going to be the labels. It's the music business. You are a business. That's what they do. So you've got to protect yourself.
I'm my worst critic, and I like the fact that I can listen to myself now and make fun of myself, listen, make changes - 'Oh, man, that's messed up. Okay, I need to work on that; I need to work on this.'
From being a little girl in the projects, going through all of the mess that I was going through, to ending up at the Inauguration for the first African-American president, I'm speechless right now because I never thought I'd - I never ever - I couldn't even see that far. Even when I ended up in the music business, I couldn't see that.