Martin Filler
Martin Filler
Martin Myles Filleris a prominent American architecture critic. He is best known for his long essays on modern architecture that have appeared in The New York Review of Books since 1985, and which served as the basis for his 2007 book Makers of Modern Architecture, published by New York Review Books...
NationalityAmerican
ProfessionCritic
Date of Birth17 September 1948
CountryUnited States of America
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The role of the architect as artist is an ancient one, but it was de-emphasized with the rise of modernism, which rejected the drawing-based Beaux-Arts tradition in favor of a more technocratic approach.
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Some museum boards think that choosing an architect can be reduced to a science, but it comes down to a matter of taste, pure and simple. A shortlist of prospective designers speaks volumes about the likely outcome. If the candidates' styles are too divergent, the search committee doesn't know what it wants.
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Always beware an unsigned architectural design.
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Considering my specialization in architecture, I'm not surprised that the first graphic novel to thoroughly engage, not to say captivate, me is Chip Kidd and Dave Taylor's 'Batman: Death by Design.'
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Before the professionalization of architecture in the nineteenth century, it was standard for an aspiring mason or carpenter to begin his apprenticeship at fourteen and to become a master builder by his early twenties.
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Architecture was the last of the major professions to devise a formal 'cursus honorum' before its practice could be undertaken.
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Architecture is not a profession for the faint-hearted, the weak-willed, or the short-lived.
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One of the most persistent yet elusive dreams of the Modern Movement in architecture has been prefabrication: industrially made structures that can be assembled at a building site.
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The tall building, concentrating man in one place more densely than ever before, similarly concentrates the dilemma of our public architecture at the end of the twentieth century: whether the new forms made possible by technology are doomed by the low calculations of modern patrons and their architects.
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Truly great architecture always transcends its stated function, sometimes in unanticipated ways.
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There is no sadder tale in the annals of architecture than the virtual disappearance of the defining architectural form of the Modern Movement - publicly sponsored housing.
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One reason I've never been a fan of graphic novels is because a central aspect of literature for me has always been imagining what the things I'm reading about look like.
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Postmodernism came nowhere close in quality to Modernism at its apogee, not least because that later style wholly lacked the social impetus that animated the designs most emblematic of the Modern Movement.
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One of the most persistent images in American urbanism is that of the proverbial city on a hill, as first envisioned on these shores by the Puritan John Winthrop, via the Gospel according to Saint Matthew.