Martin Amis
Martin Amis
Martin Louis Amisis a British novelist. His best-known novels are Moneyand London Fields. He has received the James Tait Black Memorial Prize for his memoir Experience and has been listed for the Booker Prize twice to date. Amis served as the Professor of Creative Writing at the Centre for New Writing at the University of Manchester until 2011. In 2008, The Times named him one of the 50 greatest British writers since 1945...
NationalityBritish
ProfessionNovelist
Date of Birth25 August 1949
suicide thinking long-ago
It used to be said, not so long ago, that every suicide gave Satan special pleasure. I don't think that's true-unless it isn't true either that the Devil is a gentleman. If the Devil has no class at all, then okay, I agree: He gets a bang out of suicide. Because suicide is a mess. As a subject for study, suicide is perhaps uniquely incoherent. And the act itself is without shape and without form. The human project implodes, contorts inward-shameful, infantile, writhing, gesturing. It's a mess in there.
suicide writing hands
You never can tell, though, with suicide notes, can you? In the planetary aggregate of all life, there are many more suicide notes than there are suicides. They're like poems in that respect, suicide notes: nearly everyone tries their hand at them some time, with or without the talent. We all write them in our heads. Usually the note is the thing. You complete it, and then resume your time travel. It is the note and not the life that is cancelled out. Or the other way round. Or death. You never can tell, though, can you, with suicide notes.
suicide thinking age
Suicide is what everyone young thinks they'll do before they get old. But they hardly ever get round to it. They just don't want to commit themselves in that way. When you're young and you look ahead, time ends in mist at twenty-five. 'Old won't happen to me', you say. But old does. Oh, old does. Old always gets you in the end.
anathema ask conscious directing fiction freedom injury might otherwise people serious
People ask me if I ever thought of writing a children's book. I say, 'If I had a serious brain injury I might well write a children's book', but otherwise the idea of being conscious of who you're directing the story to is anathema to me, because, in my view, fiction is freedom and any restraints on that are intolerable.
cared given god religion
If God existed, and if He cared for humankind, He would never have given us religion.
adaptation experience jokes money novel seeing suddenly thrust violent watching
Watching an adaptation of your novel can be a violent experience: seeing your old jokes suddenly thrust at you can be alarming. But I started to enjoy 'Money' very quickly, and then I relaxed.
art grow lion
Only in art will the lion lie down with the lamb, and the rose grow without the thorn.
allowed class classes several task took written
Several people, not just reviewers, took me to task for writing about what they called the working classes - something I've been doing for 40 years. I thought that was contemptible - what do they want to do, ghettoize the working class as a subject? Can you only write about your own class? I've written about royalty, am I not allowed to do that?
age four heroes pregnant seemed tried wrote
When I wrote 'The Pregnant Widow' three or four years ago, I tried to reread my first novel, 'The Rachel Papers,' because their young heroes are the same age. I couldn't finish it. It seemed to me so technically slapdash and weak.
letting novel putting state until
The process of writing a novel is getting to know more about the novel until you know everything about it. And it's been described as a kind of dreamlike state where you're letting the novel make its own shape, and you're putting into it the pleasure of creation, which is intoxicating.
belief nonsense written
My belief is that everything that's written about you is actually secondary showbiz nonsense, and you shouldn't take any notice of it.
real thinking long
When I hear about some sensational new writer I sort of think, Shut up ... you've got to be around for a long time before you can really say you're a writer. You've got to stand the test of time, which is the only real test there is.
girl heart use
You use a different part of your heart with girls.
color shadow rest-of-your-life
Has it ever happened to you...? The color of the day suddenly changes to shadow. And you know you're going to remember that moment for the rest of your life.