Martin Amis

Martin Amis
Martin Louis Amisis a British novelist. His best-known novels are Moneyand London Fields. He has received the James Tait Black Memorial Prize for his memoir Experience and has been listed for the Booker Prize twice to date. Amis served as the Professor of Creative Writing at the Centre for New Writing at the University of Manchester until 2011. In 2008, The Times named him one of the 50 greatest British writers since 1945...
NationalityBritish
ProfessionNovelist
Date of Birth25 August 1949
anathema ask conscious directing fiction freedom injury might otherwise people serious
People ask me if I ever thought of writing a children's book. I say, 'If I had a serious brain injury I might well write a children's book', but otherwise the idea of being conscious of who you're directing the story to is anathema to me, because, in my view, fiction is freedom and any restraints on that are intolerable.
reading interesting people
It's interesting when you're doing signing sessions with other writers and you look at the queues at each table and you can see definite human types gathering there.... My queue is always full of, you know, wild-eyed sleazebags and people who stare at me very intensely, as if I have some particular message for them. As if I must know that they've been reading me, that this dyad or symbiosis of reader and writer has been so intense that I must somehow know about it.
people tragedy principles
You see tragedy requires persons of heroic stature. It works on the principle of people being more than humansuper-humanand also being only too human. But there just aren't many great figures around now, so the tragic mechanisms can't work.
thinking people caves
My theory is - we don’t really go that far into other people, even when we think we do. We hardly ever go in and bring them out. We just stand at the jaws of the cave, and strike a match, and ask quickly if anybody’s there.
thinking people fiction
I think a lot of people who read fiction are interested in subtlety. But they wouldn't like my stuff. It's a bit too violent for many tastes.
people feelings way
People look at fame and feel deprived if they haven't got it, feeling that this is a basic, almost a human right, a civil right. And also feel the same way about wealth, I suppose - why haven't I got it?
moving people profound
Writers spend too much time among dead things. I thought that was profound and actually true, that you're trying to pump life into something that is inanimate. You see what a sort of audacious thing it is to move these sort of imaginary people around in a very stylized and patterned world.
writing eye people
Seeing the world anew, as if it were new, is as old as writing. It's what all painters are trying to do, to see what's there, to see it in a way that renews it. It becomes more and more urgent as the planet gets worn flat and forest after forest is slain to print the paper for people's impressions to be scrawled down on. It becomes harder and harder to be original, to see things with an innocent eye. Innocence is much tied up with it. As the planet gets progressively less innocent, you need a more innocent eye to see it.
people achievement racist
It is quite an achievement. People of liberal sympathies, stupefied by relativism, have become the apologists for a creedal wave that is racist, misogynist, homophobic, imperialist, and genocidal. To put it another way, they are up the arse of those that want them dead.
talking phones people
People are always talking on their phones, or looking at their phones, because they don't want to be alone with their thoughts.
genre-is long people
Dickens is a much misunderstood and mis-approached writer, in that he tends to be read, particularly in the twentieth century, as a social commentator - like the great Victorians, a realist in his way. But he isn't at all like that. His genre is actually more like a fairy tale - weird transformations, long voyages from which people come back altered, parental mysteries, semi-magical twists.
fear people trying
Life is made of fear. Some people eat fear soup three times a day. Some people eat fear soup all the meals there are. I eat it sometimes. When they bring me fear soup to eat, I try not to eat it, I try to send it back. But sometimes I'm too afraid to and have to eat it anyway.
jobs people giving
People? People are chaotic quiddities living in one cave each. They pass the hours in amorous grudge and playback and thought experiment. At the campfire they put the usual fraction on exhibit, and listen to their own silent gibber about how they're feeling and how they're going down. We've been there. Death helps. Death gives us something to do. Because it's a fulltime job looking the other way.
cared given god religion
If God existed, and if He cared for humankind, He would never have given us religion.