Mark Bradford
Mark Bradford
Mark Bradfordis an American artist living and working in Los Angeles...
NationalityAmerican
ProfessionArtist
CountryUnited States of America
defensive everybody great jessica played sure
Bergh played a great defensive game, she's all over the place. Jessica makes sure everybody is in the right place.
advertising creates density sheer tense until
The sheer density of advertising creates a psychic mass, an overlay that can sometimes be very tense or aggressive. As a citizen, you have to participate in that every day. You have to walk by until it's changed.
underlying
Everything I do has an underlying political question.
believe looking three
The three occupants that we were looking for we believe we have, in fact, found.
ask details inspired looking mother small supported
I've always been inspired by small details that make me wander. My mother would ask me, 'What are you looking at so intensely?' I would answer, 'Everything and nothing.' She really supported my wanderings, called me Marco Polo.
decide society telling work
At the end of the day, I'm an artist. I may make work and decide to do something political, but it will come out of an artist's position. It won't come out of society telling me I have to. If I do, it's because I choose, as an artist, to do it.
either trust
You either have to find a way to be really creative materially, or you better have a trust fund. And, last I checked, I didn't have a trust fund.
We have to tighten some things up. We need to be a little more patient.
ended example guy
I ended up being an example. That let me know that this guy was serious.
art cannot funny history hybrid mixing music notions parts problem sort
I don't know why we, in the art world, cannot unpack things and sort of make hybrid notions of a practice. We're very rigid. It's funny, though; in music, we have no problem sampling, mixing and remixing. But in the art world, why can't we take little parts of history and mix it together?
almost artists education problems safe step talk terrified
I don't know why so many artists talk about the mainstream's problems from the fringe. I think, unfortunately, it's almost like our education makes us too safe and terrified to step into the world.
guard
I can go to my own opening, and the security guard will tell me that I have to go to the security entrance.
bother community fully interested present wherever
I am fully present wherever I am. Why bother being in a community or neighborhood and not being fully present? I think that's colonization. I'm not interested in that.
relationship
I go through the arc of a relationship with every single painting that I do.