Margaret Atwood

Margaret Atwood
Margaret Eleanor Atwood, CC OOnt FRSCis a Canadian poet, novelist, literary critic, essayist, and environmental activist. She is a winner of the Arthur C. Clarke Award and Prince of Asturias Award for Literature, has been shortlisted for the Booker Prize five times, winning once, and has been a finalist for the Governor General's Award several times, winning twice. In 2001, she was inducted into Canada's Walk of Fame. She is also a founder of the Writers' Trust of Canada, a...
NationalityCanadian
ProfessionPoet
Date of Birth18 November 1939
CityOttawa, Canada
CountryCanada
I meet a lot of readers who first encountered my work in school. And I can only assume there is another group who would run away very fast if they saw me coming, for exactly the same reason. Reading is individual, and not all tastes are alike.
There's more private security in the United States than there are publicly funded forces, like police. What you don't want is a meld of government and commerce - you really want to keep those two things separate - because once you have that meld, you've got megacorruption, and you have no third force to whom you can say this stuff is poisoning our kids.
We're facing growing climate change, more floods, more droughts, more crisis on a planetary level, and the systems we put in place in the twentieth century are just not going to work. We've run out of stuff. Our big problems are going to be energy supplies and food supplies. This is not a right-left issue. It's a people issue, and it cuts across all our categories.
I'm not sure I really am a Humanist. I describe myself as a rigorous agnostic, which means that you cannot declare as a matter of material truth something that is in fact a matter of spiritual belief.
Reading is one of the most individual things that happens. So every reader is going to read a piece in a slightly different way, sometimes a radically different way.
I don't believe in a perfect world. I don't believe it's achievable, and I believe the people who try to achieve it usually end up turning it into something like Cambodia or something very similar because purity tests set in. Are you ideologically pure enough to be allowed to live? Well, it turns out that very few people are, so you end up with a big powerful struggle and a mass killing scene.
Kafka thought his stories were hilarious. We don't necessarily have that reaction to them, but he certainly laughed his head off every time he read them out loud.
Your hand is a warm stone I hold between two words.
In his student days, he used to argue that if a woman has no other course open to her but starvation, prostitution, or throwing herself from a bridge, then surely the prostitute, who has shown the most tenacious instinct for self-preservation, should be considered stronger and saner than her frailer and no longer living sisters. One couldn't have it both ways, he'd pointed out: if women are seduced and abandoned they're supposed to go mad, but if they survive, and seduce in their turn, then they were mad to begin with.
All I can hope for is a reconstruction: the way love feels is always only approximate.
Vampires get the joy of flying around and living forever, werewolves get the joy of animal spirits. But zombies, they're not rich, or aristocratic, they shuffle around. They're a group phenomenon, they're not very fast, they're quite sickly. So what's the pleasure of being one?
There's a difference between describing and evoking something. You can describe something and be quite clinical about it. To evoke it, you call it up in the reader. That's what writers do when they're good.
The society in 'The Handmaid's Tale' is a throwback to the early Puritans whom I studied extensively at Harvard under Perry Miller, to whom the book is dedicated.
Storytelling is a very old human skill that gives us an evolutionary advantage. If you can tell young people how you kill an emu, acted out in song or dance, or that Uncle George was eaten by a croc over there, don't go there to swim, then those young people don't have to find out by trial and error.