Maj Sjowall
Maj Sjowall
Maj Sjöwallis a Swedish author and translator. She is best known for the collaborative work with her partner Per Wahlöö on a series of ten novels about the exploits of Martin Beck, a police detective in Stockholm. They also wrote novels separately. In 1971, the fourth of the Beck books, The Laughing Policemanwon an Edgar Award from the Mystery Writers of America for Best Novel and was adapted into the film The Laughing Policeman starring Walter Matthau...
NationalitySwedish
ProfessionAuthor
Date of Birth25 September 1935
CountrySweden
We always had money problems. Sometimes I would lie awake at night wondering how to pay the rent.
Sweden is a small country, and a Swedish writer can barely make a living as an author. We were able to quit our jobs as journalists only after we had been translated into, among others, German.
Yes, think what a lot of nonsense one can figure out with plenty of time. Brooding is the mother of ineffectiveness.
When I was 11, I realised that I did not have to live the life my mother had: school, marriage, children, apartment, summer house.
You get tough when you grow up unloved. People described me as a boyish girl - rather shy, but I didn't show it. I had an attitude. I was rather wild. I lied a lot because I knew the alternative was to be punished. As I got older I realised I didn't have to lie any more and it was a nice feeling. I could be myself.
I like Jo Nesbo and Hakan Nesser. There are so many good books in the world. I don't want to spend time reading bad crime novels.
People read more mysteries than they do political pamphlets.
There were many films made for both cinema and television, and in general I don't connect them very much with our books. I have one favorite: 'The Man on the Roof' by director Bo Widerberg, which was based on 'The Abominable Man.
We wanted to describe society from our Left point of view. Per had written political books, but they'd only sold 300 copies. We realised that people read crime and through the stories we could show the reader that under the official image of welfare-state Sweden there was another layer of poverty, criminality and brutality.
Death is never very pretty.