Madeleine L'Engle
Madeleine L'Engle
Madeleine L'Englewas an American writer best known for young-adult fiction, particularly the Newbery Medal-winning A Wrinkle in Time and its sequels: A Wind in the Door, National Book Award-winning A Swiftly Tilting Planet, Many Waters, and An Acceptable Time. Her works reflect both her Christian faith and her strong interest in modern science...
children husband writing
During the long drag of years before our youngest child went to school, my love for my family and my need to write were in acute conflict. The problem was really that I put two things first. My husband and children came first. So did my writing. Bump.
real artist maturity
Unlearning is the choice, conscious or unconscious, of any real artist. And it is the true sign of maturity.
anger
Don't keep putting your anger off. Until you go through it, you can't get out of it.
hurt joy feelings
If we aren't capable of being hurt we aren't capable of feeling joy.
character risk suffering
There is little character or loveliness in the face of someone who has shunned risk, avoided suffering and rejected life
believe two trying
A great piece of literature does not try to coerce you to believe it or agree with it. A great piece of literature simply is . It is a vehicle of truth, but it is not a blueprint, and we tend to confuse the two.
children hero men
The uncommon man has done the impossible and there has been that much more light in the world because of it. Children respond to heroes by thinking creatively and sometimes in breaking beyond the bounds of the impossible in their turn, and so becoming heroes themselves.
real artist imagination
We do live, all of us, on many different levels, and for most artists the world of imagination is more real than the world of the kitchen sink.
religious art children
When a child who has been conceived in love is born to a man and a woman, the joy of that birth sings throughout the universe. The joy of writing or painting is much the same, and the insemination comes not from the artist himself but from his relationship with those he loves, with the whole world. All real art is, in its true sense, religious; it is a religious impulse; there is not such thing as a non-religious subject.
art writing thinking
The rational intellect doesn't have a great deal to do with love, and it doesn't have a great deal to do with art. I am often, in my writing, great leaps ahead of where I am in my thinking, and my thinking has to work its way slowly up to what the "superconscious" has already shown me in a story or poem.
real medieval mets
The medieval mystics say the true image and the true real met once and for all on the cross: once and for all: and yet they still meet daily.
artist differences vision
We do not know and cannot tell when the spirit is with us. Great talent or small, it makes no difference. We are caught within our own skins, our own sensibilities; we never know if our technique has been adequate to the vision.
artist judging
the artist is not separate from the work and therefore cannot judge it.
art hard-work order
A life lived in chaos is an impossibility for the artist. No matter how unstructured may seem the painter's garret in Paris or the poet's pad in Greenwich Village, the artist must have some kind of order or he will proudce a very small body of work. To create a work of art, great or small, is work, hard work, and work requires discipline and order.