Madeleine L'Engle
Madeleine L'Engle
Madeleine L'Englewas an American writer best known for young-adult fiction, particularly the Newbery Medal-winning A Wrinkle in Time and its sequels: A Wind in the Door, National Book Award-winning A Swiftly Tilting Planet, Many Waters, and An Acceptable Time. Her works reflect both her Christian faith and her strong interest in modern science...
children book not-good-enough
if a book is not good enough for a grownup, it is not good enough for a child.
book writing convinced
With each book I write, I become more and more convinced that the books have a life of their own, quite apart from me.
book writing might
Stories have a richness that goes way beyond fact. My writing knows more than I know. What a writer must do is listen to her book. It might take you where you don't expect to go.
children book mind
One reason nearly half my books are for children is the glorious fact that the minds of children are still open to the living word; in the child, nightside and sunside are not yet separated; fantasy contains truths which cannot be stated in terms of proof.
summer morning book
I used to feel guilty about spending morning hours working on a book; about fleeing to the brook in the afternoon. It took several summers of being totally frazzled by September to make me realize that this was a false guilt. I'm much more use to family and friends when I'm not physically and spiritually depleted than when I spend my energies as though they were unlimited. They are not. The time at the typewriter and the time at the brook refresh me and put me into a more workable perspective.
hate book reading
The truth is that I hate to think about other people reading my books," Miranda said. "It's like watching someone go through the box of private stuff that I keep under my bed.
children book reading
In reading we must become creators. Once the child has learned to read alone, and can pick up a book without illustrations, he must become a creator, imagining the setting of the story, visualizing the characters, seeing facial expressions, hearing the inflection of voices. The author and the reader "know" each other; they meet on the bridge of words.
children book not-good-enough
If it's not good enough for adults, it's not good enough for children. If a book that is going to be marketed for children does not interest me, a grownup, then I am dishonoring the children for whom the book is intended, and I am dishonoring books. And words.
book writing hands
It's not my brain that's writing the book, it's these hands of mine.
book light illumination
We don't want to feel less when we have finished a book; we want to feel that new possibilities of being have been opened to us. We don't want to close a book with a sense that life is totally unfair and that there is no light in the darkness; we want to feel that we have been given illumination.
book writing
A book comes and says, 'Write me.
children book writing
When I have something to say that I think will be too difficult for adults, I write it in a book for children. Children are excited by new ideas; they have not yet closed the doors and windows of their imaginations. Provided the story is good... nothing is too difficult for children.
teamwork jobs book
A book comes and says, 'Write me.' My job is to try to serve it to the best of my ability, which is never good enough, but all I can do is listen to it, do what it tells me and collaborate.
children book writing
if I have something I want to say that is too difficult for adults to swallow, then I will write it in a book for children. ...