Lynne Truss

Lynne Truss
Lynne Trussis an English writer and journalist. Her book Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation was a best-seller in 2003. In August 2014, Truss was one of 200 public figures who were signatories to a letter to The Guardian opposing Scottish independence in the run-up to September's referendum on that issue...
NationalityEnglish
ProfessionWriter
cat home advantage
The main advantage of working at home is that you get to find out what cats really do all day.
reading phones intimate-conversation
The advent of the mobile phone was a disaster. We are forced to listen, open-mouthed, to other people's intimate conversations. Increasingly, we are all in our virtual bubbles when we are out in public, whether we are texting, listening to iPods, reading or just staring dangerously at other people.
punctuation-marks detours language
Punctuation marks are the traffic signals of language: they tell us to slow down, notice this, take a detour, and stop.
friday writing average
To those who care about punctuation, a sentence such as "Thank God its Friday" (without the apostrophe) rouses feelings not only of despair but of violence. The confusion of the possessive "its" (no apostrophe) with the contractive "it's" (with apostrophe) is an unequivocal signal of illiteracy and sets off a Pavlovian "kill" response in the average stickler.
sorry laughing comedian
Old radio comedy makes me laugh, as well as 'I'm Sorry I Haven't a Clue' and comedians like Paul Merton.
dad eggs people
I used to help my dad with a stall selling eggs when I was about 12. People were so hard up they would ask for one egg. But mostly no one came by at all. It was very demoralising.
people way behave
The way people behave towards each other is a measure of their value as human beings.
believe should-have track
It should come as no surprise that writers take an interest in punctuation. I have been told that the dying words of one famous 20th-century writer were, "I should have used fewer semicolons" - and although I have spent months fruitlessly trying to track down the chap responsible, I believe it none the less. If it turns out that no one actually did say this on their deathbed, I shall certainly save it up for my own.
taken thinking yelling
Well, start waving and yelling, because it is the so-called Oxford comma and it is a lot more dangerous than its exclusive, ivory-tower moniker might suggest. There are people who embrace the Oxford comma and people who don't, and I'll just say this: never get between these people when drink has been taken. Oh, the Oxford comma. Here, in case you don't know what it is yet, is the perennial example, as espoused by Harold Ross: "The flag is red, white, and blue." So what do you think of it? Are you for or against it? Do you hover in between?
jobs mean effort
I mean, full stops are quite important, aren't they? Yet by contrast to the versatile apostrophe, they are stolid little chaps, to say the least. In fact one might dare to say that while the full stop is the lumpen male of the punctuation world (do one job at a time; do it well; forget about it instantly), the apostrophe is the frantically multi-tasking female, dotting hither and yon, and succumbing to burn-out from all the thankless effort.
imagination together mystery
Writers and painters alike are in the business of consulting their own imaginations, and stimulating the imaginations of others. Together, and separately, they celebrate the absolute mystery of otherness.
drama ideas people
The idea of withholding a massive secret is obviously quite exciting to some people. It is also the basis of much classic drama, of course, from Sophocles onwards.
mean choices brain
Oh, the illusion of choice in the modern world - don't get me started. But don't you agree that the Internet has softened our brains and made us forget that 'choice' used to mean something different from selecting options from menus?
character judging faces
One of the things that all authors of fiction must learn to judge is whether - and in what detail - to describe the face of a character.