Ludwig Mies van der Rohe
Ludwig Mies van der Rohe
Ludwig Mies van der Rohewas a German-American architect. He is commonly referred to and was addressed as Mies, his surname. Along with Le Corbusier, Walter Gropius and Frank Lloyd Wright, he is widely regarded as one of the pioneers of modern architecture...
NationalityAmerican
ProfessionArchitect
Date of Birth27 March 1886
CountryUnited States of America
deepening despite efforts life oriented remain tendency time toward wholly
The tendency of our time is wholly oriented toward the secular. The efforts of the mystics will remain episodes. Despite a deepening of our conceptions of life, we will build no cathedrals.
former latter life mere
The unformed is not worse than the over-formed. The former is nothing; the latter is mere appearance. Real form presupposes real life.
everybody insisted life man
What would life be like if everybody insisted you must have actually built such-and-such a thing by yourself? I'd be an old man and have nothing to show for the aging.
attempt beings beware bring color disrupt higher houses human interior life nature shall
Nature, too, shall live its own life. We must beware not to disrupt it with the color of our houses and interior fittings. yet we should not attempt to bring nature, houses, and human beings together into a higher unity.
cannot cause change changed life physical
We have to know that life cannot be changed by us. It will be changed. But not by us. We can only guide the things that can cause physical change.
carrying designs developed life practical
Most of our designs are developed long before there is a practical possibility of carrying them out. I do that on purpose and have done it all my life. I do it when I am interested in something.
consider decisive discovered evaluate form life point result shows starting whether
We do not evaluate the result but the starting point of the creative process. Precisely, this shows whether the form was discovered by starting from life, or for its own sake. That is why I consider the creative process so essential. Life for us is the decisive factor.
areas avoid chicago cities large silly slums spread suburban thousands
You can use up all the slums for new development. In all the cities of the world, there are large areas of these. Also, you can avoid the spread of these silly suburban houses. Chicago has thousands of them all over the place.
aim form problems recognize refuse work
We refuse to recognize problems of form, but only problems of building. Form is not the aim of our work, but only the result. Form, by itself, does not exist. Form as an aim is formalism; and that we reject.
drawings model quarter send
We made drawings the size of a whole quarter of a room ceiling, which we would then send on to the model makers. I did this every day for two years. Even now I can draw cartouches with my eyes closed.
age buildings clearly convey demands fool lack maintain time
The demands of the time for objectivity and functionality must be fulfilled. If that clearly happens, then the buildings of our day will convey the greatness of which the age is capable, and only a fool will maintain that they lack it.
addressing art bound building execution itself knowledge means necessary spiritual tasks vital work
The building art is, in reality, always the spatial execution of spiritual decisions. It is bound to its times and manifests itself only in addressing vital tasks with the means of its times. A knowledge of the times, its tasks, and its means is the necessary precondition of work in the building art.
almost far gigantic left nature respect reveals structures superior technology true
Technology is far more than a method, it is a world in itself. As a method, it is superior in almost every respect. But only where it is left to itself, as in gigantic structures of engineering, there technology reveals its true nature.
carry concrete nature noodles nor reinforced walls
Reinforced concrete buildings are by nature skeletal buildings. No noodles nor armoured turrets. A construction of girders that carry the weight, and walls that carry no weight. That is to say, buildings consisting of skin and bones.