Louis MacNeice
Louis MacNeice
Frederick Louis MacNeice CBEwas an Irish poet and playwright. He was part of the generation of the Auden Group, also sometimes known as the "Thirties poets", that included W. H. Auden, Stephen Spender and Cecil Day-Lewis, nicknamed collectively "MacSpaunday" – a term coined by Roy Campbell, in his Talking Bronco. MacNeice's body of work was widely appreciated by the public during his lifetime, due in part to his relaxed, but socially and emotionally aware style. Never as overtlypolitical as some...
NationalityBritish
ProfessionPoet
Date of Birth12 September 1907
Though I do regard the Inquisition in general and the burning of Giordano Bruno in particular as blots on the history of the Roman Catholic Church, I am far from being actuated by hatred of that church, and in fact cannot imagine that European civilization would have developed or survived without it.
I do not envy any animal, though I envy many of their capacities.
In January 1921, I found myself wonderfully alone in an empty carriage in a rocking train in the night between Waterloo and Sherborne. Stars on each side of me; I ran from side to side of the carriage, checking the constellations.
Crumbling between the fingers, under the feet, / Crumbling behind the eyes, / Their world gives way and dies / And something twangs and breaks at the end of the street.
The rules or 'laws' of poetry are only tentative devices, an approximate scheme. There is no Sinaitic recipe for poetry, for the individual poem is the norm.
So they were married-to be the more together- And found they were never again so much together, Divided by the morning tea, By the evening paper, By children and tradesmen's bills
The sunlight in the gardenHardens and grows cold,We cannot cage the minuteWithin its nets of gold
I would have a poet able bodied, fond of talking, a reader of the newspapers, capable of pity and laughter, informed in economics, appreciative of women, involved in personal relationships, actively interested in politics, susceptible to physical impressions.
Nearly all children have a feeling for rhythm in words, for the delicate pattern of nursery rhymes. Many adults have lost this feeling and, if they read verse at all, demand a far cruder music than that which they once appreciated.
Man is an unhappy animal and one that can talk. If he was not unhappy, he would have nothing to talk about. But if he had nothing to talk about, he would be unhappy.
Wyndham Lewis is basically a pessimist, thinking of human beings as doomed animals or determinist machines. His theory of satire is based on this view, and he finds plenty of evidence to support it in contemporary practice.
The poet is primarily a spokesman, making statements or incantations on behalf of himself or others - usually for both, for it is difficult to speak for oneself without speaking for others or to speak for others without speaking for oneself.
The poet is a specialist in something which everyone practises. Herein, poetry differs from the other arts. Everyone does not practise music or painting or even dancing, but everyone without exception puts together words poetically every day of his life.
The poet has no greater number of muscles than the ordinary conversationalist; he merely has more highly developed muscles and better coordination. And he practises his activity according to a stricter set of rules.