Louis MacNeice

Louis MacNeice
Frederick Louis MacNeice CBEwas an Irish poet and playwright. He was part of the generation of the Auden Group, also sometimes known as the "Thirties poets", that included W. H. Auden, Stephen Spender and Cecil Day-Lewis, nicknamed collectively "MacSpaunday" – a term coined by Roy Campbell, in his Talking Bronco. MacNeice's body of work was widely appreciated by the public during his lifetime, due in part to his relaxed, but socially and emotionally aware style. Never as overtlypolitical as some...
NationalityBritish
ProfessionPoet
Date of Birth12 September 1907
The rules or 'laws' of poetry are only tentative devices, an approximate scheme. There is no Sinaitic recipe for poetry, for the individual poem is the norm.
Crumbling between the fingers, under the feet, / Crumbling behind the eyes, / Their world gives way and dies / And something twangs and breaks at the end of the street.
The sunlight in the gardenHardens and grows cold,We cannot cage the minuteWithin its nets of gold
I would admit that poetry is something more than mere communication and that if that 'something more' could be abstracted from the whole, it might well prove to be that which makes the whole a poem.
My birth was managed so rottenly that my mother had eventually to have a hysterectomy, after which she was ill off & on till she dies for obscure reasons when I was just 7.
I would have a poet able bodied, fond of talking, a reader of the newspapers, capable of pity and laughter, informed in economics, appreciative of women, involved in personal relationships, actively interested in politics, susceptible to physical impressions.
Nearly all children have a feeling for rhythm in words, for the delicate pattern of nursery rhymes. Many adults have lost this feeling and, if they read verse at all, demand a far cruder music than that which they once appreciated.
Man is an unhappy animal and one that can talk. If he was not unhappy, he would have nothing to talk about. But if he had nothing to talk about, he would be unhappy.
Though I do regard the Inquisition in general and the burning of Giordano Bruno in particular as blots on the history of the Roman Catholic Church, I am far from being actuated by hatred of that church, and in fact cannot imagine that European civilization would have developed or survived without it.
When I went to bed as a child, I was told, 'You don't know where you'll wake up.' When I ran in the garden, I was told that running was bad for the heart. Everything had its sinister aspect - milk shrinks the stomach, lemon thins the blood.
Good poets have written in order to describe something or to preach something - with their eye on the object or the end. The essence of the poetry does not lie in the thing described or in the message imparted but in the resulting concrete unity, the poem.
For this reason poets and artists developed the doctrine of Art for Art's Sake. The community did not appear to need them, so, tit for tat, they did not need the community. This being granted, it was no longer necessary or even desirable to make one's poetry either intelligible or sympathetic to the community.
Everyone is not able, or inclined, to write poetry in the narrower sense any more than everyone is qualified to take part in a walking race. But just as all of us can and do walk, so all of us can and do use language poetically.
Dublin was hardly worried by the war; her old preoccupations were still preoccupations. The intelligentsia continued their parties; their mutual malice was as effervescent as ever.