Louis C. K.
Louis C. K.
Louis Székely pronounced , known professionally as Louis C.K., is an American comedian, actor, writer, producer, director, and editor. Born in Washington, D.C., C.K. moved to Mexico City as an infant and learned Spanish as his first language, learning English once he moved back to the U.S. at age 7. He began his career writing for several comedy shows in the 1990s and early 2000s for comedians including David Letterman, Conan O'Brien, and Chris Rock. Also in this period, he was...
NationalityAmerican
ProfessionComedian
Date of Birth2 September 1967
CountryUnited States of America
Either I'll never get rich from the show but remain intensely proud of the work and stand behind every second of it, or it catches on and I'll make my money down the road.
I've always got the road. Stand-up makes you so autonomous and self-sufficient that it really helps with that part of show business.
It's easier to cancel a show if it's expensive.
Well, I think likability is an overused word. I don't watch people 'cause I like them; I watch them because they're compelling. Sympathetic is a little different. Likable just thins you out. Working to make a character likable is what kills most TV shows.
There's two kinds of press that you get when you put out a TV show: The reviews, and the people that just decide what the reviews say.
The only road to doing good shows, is doing bad shows.
When your kid is being selfish or greedy and you want to help them not be that way, you have to find a way to articulate it and inspire them.
All talking is good, negative and positive. Stabbing is bad; talking is good.
My show is sort of a short-film anthology, and I'm able to tell little stories that don't necessarily carry a whole episode in terms of narrative. I like the audience not being sure what they're getting. I think it's more fun to watch something when you're discovering it as you go along.
Stand-up is probably the most solo performance in art.
I do love standup. I love comedians. They're my community. Also, because I know so many of them, I know the value of them. I know what they can do.
You don't look down at your feet. A lot of comedians want to look down at their feet, but you break contact with the audience.
You have to do a show as honestly as you can. But you also can't afford skepticism, because it's preparing for failure, which is useless.
Performing comedy, you develop a rhythm of ideas and laughs. I live for it.