Louis C. K.
Louis C. K.
Louis Székely pronounced , known professionally as Louis C.K., is an American comedian, actor, writer, producer, director, and editor. Born in Washington, D.C., C.K. moved to Mexico City as an infant and learned Spanish as his first language, learning English once he moved back to the U.S. at age 7. He began his career writing for several comedy shows in the 1990s and early 2000s for comedians including David Letterman, Conan O'Brien, and Chris Rock. Also in this period, he was...
NationalityAmerican
ProfessionComedian
Date of Birth2 September 1967
CountryUnited States of America
I ate too much and masturbated too recently, you know? It's bad to like jerk off and run out the door, 'cause you run into somebody. "Oh, she knows..." You got to take some time alone to process the shame.
Fathers have skills that they never use at home. You run a landscaping business and you can't dress and feed a four-year-old? Take it on!
When you're a father in a marriage, you sort of become the mother's assistant. And you sort of get a list from her every day and you run down the list and it feels very much like a chore. And a lot of fathers live very much in avoidance, and they sit on the toilet. Or they say, 'Oh honey, it took me 40 minutes to go to the post office.' And they just sort of sit in the driveway and heave a big sigh- 'Oh, I have to go back in.' But then once you take it out on your own, you have to take it all on. And you sort of activate male skills that you didn't know you could apply to fatherhood.
If I'm not on tour, I can run down to the comedy club and do a little stand-up. If you're an actor, you can't go - I guess there's forms of it.
When your kid is being selfish or greedy and you want to help them not be that way, you have to find a way to articulate it and inspire them.
All talking is good, negative and positive. Stabbing is bad; talking is good.
My show is sort of a short-film anthology, and I'm able to tell little stories that don't necessarily carry a whole episode in terms of narrative. I like the audience not being sure what they're getting. I think it's more fun to watch something when you're discovering it as you go along.
Either I'll never get rich from the show but remain intensely proud of the work and stand behind every second of it, or it catches on and I'll make my money down the road.
Stand-up is probably the most solo performance in art.
I do love standup. I love comedians. They're my community. Also, because I know so many of them, I know the value of them. I know what they can do.
You don't look down at your feet. A lot of comedians want to look down at their feet, but you break contact with the audience.
I've always got the road. Stand-up makes you so autonomous and self-sufficient that it really helps with that part of show business.
You have to do a show as honestly as you can. But you also can't afford skepticism, because it's preparing for failure, which is useless.
Performing comedy, you develop a rhythm of ideas and laughs. I live for it.