Louis C. K.
Louis C. K.
Louis Székely pronounced , known professionally as Louis C.K., is an American comedian, actor, writer, producer, director, and editor. Born in Washington, D.C., C.K. moved to Mexico City as an infant and learned Spanish as his first language, learning English once he moved back to the U.S. at age 7. He began his career writing for several comedy shows in the 1990s and early 2000s for comedians including David Letterman, Conan O'Brien, and Chris Rock. Also in this period, he was...
NationalityAmerican
ProfessionComedian
Date of Birth2 September 1967
CountryUnited States of America
If you're a cartoon character or most TV characters, sure, you'll fight, because the punches are juicy-sounding and they don't leave marks. But in real life, if somebody punches you in the eye, it doesn't make any noise and your eye is swollen for, like, six months. It's a nightmare to get punched in the eye.
I just don't trust any of it. Every time I read something about how there's been another ridiculous climb of the Dow Jones, there's a part of me that goes, "This can't be good." None of this is real money. You know what I mean? It's not like there's actually more of anything. It's just ideas. When people are getting richer and richer but they're not actually producing anything, it can't end well.
What we've done with our modern food supply is absolute insanity. It's not even real any more. You used to be able to give a kid an apple and they would love it. Kids can't even taste apples any more. Apples taste like paper to kids now.
There's no real preparing at home for stand-up. You just go and you just do it.
I don't have a brother in real life.
Well, when I was younger, I lied all the time, because once you understand the power of lying, it's really like magic because you transform reality for people.
When your kid is being selfish or greedy and you want to help them not be that way, you have to find a way to articulate it and inspire them.
All talking is good, negative and positive. Stabbing is bad; talking is good.
My show is sort of a short-film anthology, and I'm able to tell little stories that don't necessarily carry a whole episode in terms of narrative. I like the audience not being sure what they're getting. I think it's more fun to watch something when you're discovering it as you go along.
Either I'll never get rich from the show but remain intensely proud of the work and stand behind every second of it, or it catches on and I'll make my money down the road.
Stand-up is probably the most solo performance in art.
I do love standup. I love comedians. They're my community. Also, because I know so many of them, I know the value of them. I know what they can do.
You don't look down at your feet. A lot of comedians want to look down at their feet, but you break contact with the audience.
I've always got the road. Stand-up makes you so autonomous and self-sufficient that it really helps with that part of show business.