Louis C. K.
Louis C. K.
Louis Székely pronounced , known professionally as Louis C.K., is an American comedian, actor, writer, producer, director, and editor. Born in Washington, D.C., C.K. moved to Mexico City as an infant and learned Spanish as his first language, learning English once he moved back to the U.S. at age 7. He began his career writing for several comedy shows in the 1990s and early 2000s for comedians including David Letterman, Conan O'Brien, and Chris Rock. Also in this period, he was...
NationalityAmerican
ProfessionComedian
Date of Birth2 September 1967
CountryUnited States of America
It's hard to know where your thoughts come from, especially when you have a thirst for material because you need it professionally.
You need to build an ability to just be yourself, and not be doing something,
All these words we use, anybody can be a genius now. It used to be you had to have a thought no one ever had before or you had to invent a number. Now, it's like, Hey, I've got a cup in case we need another cup. Dude, you're a genius!
When I read things like the foundations of capitalism are shattering, I'm like, maybe we need that. Maybe we need some time where we're walking around with a donkey with pots clanging on the sides.
I never viewed money as being 'my money' I always saw it as 'the money.' It's a resource. If it pools up around me then it needs to be flushed back out into the system.
I know I'm getting old because there will be times when I'm not even doing anything and I'll think, 'I need to go wipe my ass right now.'
I definitely look at my body and I go: 'Yuck.'
There's nothing that beats proving you're funny by making a funny thing, and right now there are huge outlets for that, with You Tube and all the other stuff online.
I can feel how an audience is reacting when I'm on a stage, but when you are on stage, your perception is distorted. That's something you just have to know. It's like pilots that fly at high Gs and they lose, sometimes, consciousness and hand/eye coordination and they just have to know that that's going to happen. They have to be trained to not try to do too much while they are doing that. So when you are on stage, you have to be aware that you are wrong about how it feels a lot of times.
One time, I threw a candy wrapper on the street. I was with a friend who said to me, You just littered on the street! Don't you care about the environment? And I thought about it, and I said, You know what? This isn't the environment. This is New York City. New York City is not the environment. New York City is a giant piece of litter. Next to Mexico City, it's the shittiest piece of litter in the world. Just a pussy, runny, smokin', stinkin' piece of litter.
I like being full, every day, with stuff that I have to do.
You could drive a rental car until you don't want it. Just get out of it while it's moving and just walk away. No, I don't feel like being in that car any longer. Just call Hertz. Hi, your car is drifting into the intersection of 28th and Broadway, if you're interested. It's now your problem.
Sometimes I just want to tell a story regardless of whether it fits what the show is saying. I've been in a lot of writing rooms where somebody says an idea and everyone's dying, like laughing so they're delirious. It's like a black hole in a good way, everything starts to fall into it, you know what I mean.
There's a need to perfect things in a writers' room, and that can take a lot of fun out of a show sometimes. It's a struggle. It depends on your personality. Some people love working with a writing staff. I had a great writing staff on Lucky Louie, but it sometimes felt like Congress or something.