Louis C. K.
Louis C. K.
Louis Székely pronounced , known professionally as Louis C.K., is an American comedian, actor, writer, producer, director, and editor. Born in Washington, D.C., C.K. moved to Mexico City as an infant and learned Spanish as his first language, learning English once he moved back to the U.S. at age 7. He began his career writing for several comedy shows in the 1990s and early 2000s for comedians including David Letterman, Conan O'Brien, and Chris Rock. Also in this period, he was...
NationalityAmerican
ProfessionComedian
Date of Birth2 September 1967
CountryUnited States of America
Apple embodies a lot of what have been defined as feminine traits: an emphasis on intuitive design, intellect, a strong sense of creativity, and that striving to always make the greatest version of something.
What we've done with our modern food supply is absolute insanity. It's not even real any more. You used to be able to give a kid an apple and they would love it. Kids can't even taste apples any more. Apples taste like paper to kids now.
When your kid is being selfish or greedy and you want to help them not be that way, you have to find a way to articulate it and inspire them.
All talking is good, negative and positive. Stabbing is bad; talking is good.
My show is sort of a short-film anthology, and I'm able to tell little stories that don't necessarily carry a whole episode in terms of narrative. I like the audience not being sure what they're getting. I think it's more fun to watch something when you're discovering it as you go along.
Either I'll never get rich from the show but remain intensely proud of the work and stand behind every second of it, or it catches on and I'll make my money down the road.
Stand-up is probably the most solo performance in art.
I do love standup. I love comedians. They're my community. Also, because I know so many of them, I know the value of them. I know what they can do.
You don't look down at your feet. A lot of comedians want to look down at their feet, but you break contact with the audience.
I've always got the road. Stand-up makes you so autonomous and self-sufficient that it really helps with that part of show business.
You have to do a show as honestly as you can. But you also can't afford skepticism, because it's preparing for failure, which is useless.
Performing comedy, you develop a rhythm of ideas and laughs. I live for it.
You would never do stand-up without an audience. I mean, no one would even consider it. It's like they're the instrument you're playing.
I grew up in a generation that had exponential technological advances.