Lorde
Lorde
Ella Marija Lani Yelich-O'Connor, better known by her stage name Lorde, is a New Zealand singer-songwriter. Born in Takapuna and raised in Devonport, Auckland, she became interested in performing as a child. In her early teens, she signed with Universal Music Group and was later paired with the songwriter and record producer Joel Little, who has co-written and produced most of Lorde's works. Her first major release, The Love Club EP, was commercially released in March 2013. The EP reached...
NationalityNew Zealander
ProfessionPop Singer
Date of Birth7 November 1996
CityAuckland, New Zealand
differences silence
... it is not difference which immobilizes us, but silence.
real games differences
For the master’s tools will never dismantle the master’s house. They may allow us to temporarily beat him at his own game, but they will never enable us to bring about genuine change. Racism and homophobia are real conditions of all our lives in this place and time. I urge each one of us here to reach down into that deep place of knowledge inside herself and touch that terror and loathing of any difference that lives here. See whose face it wears. Then the personal as the political can begin to illuminate all our choices.
dancing creative erotic
When I speak of the erotic, then I speak of it as an assertion of the life force of women; of that creative energy empowered, the knowledge and use of which we are now reclaiming in our language, our history, our dancing, our loving, our work, our lives.
pieces silent refuse
to that piece in each of us that refuses to be silent.
empowering conquer divide-and-conquer
Divide and conquer must become define and empower.
erotic steps recognition
Part of the lesbian consciousness is an absolute recognition of the erotic within our lives and, taking that a step further, dealing with the erotic not only in sexual terms.
dream father thinking
The white fathers told us: I think, therefore I am. The black goddess within each of us - the poet - whispers in our dreams: I feel, therefore I can be free.
dream light rocks
... poetry is not a luxury. It is a vital necessity of our existence. It forms the quality of the light within which we predicate our hopes and dreams toward survival and change, first made into language, then into idea, then into more tangible action. Poetry is the way we help give name to the nameless so it can be thought. The farthest horizons of our hopes and fears are cobbled by our poems, carved from the rock experiences of our daily lives.
believe order fire
You cannot use someone else's fire. You can only use your own. And in order to do that, you must first be willing to believe that you have it.
writing needs
I started writing because I had a need inside of me to create something that was not there
empowering joy erotic
Once we begin to feel deeply all the aspects of our lives, we begin to demand from ourselves and from our life-pursuits that they feel in accordance with that joy which we know ourselves to be capable of. Our erotic knowledge empowers us, becomes a lens through which we scrutinize all aspects of our existence, forcing us to evaluate those aspects honestly in terms of their relative meaning within our lives. . . .
philosophy air oneness
African tradition deals with life as an experience to be lived. In many respects, it is much like the Eastern philosophies in that we see ourselves as a part of a life force; we are joined, for instance, to the air, to the earth. We are part of the whole-life process. We live in accordance with, in a kind of correspondence with the rest of the world as a whole. And therefore living becomes an experience, rather than a problem, no matter how bad or how painful it may be.
focus pieces revolutionary
The true focus of revolutionary change is never merely the oppressive situations that we seek to escape, but that piece of the oppressor which is planted deep within each of us.
communication ignorance names
Guilt is not a response to anger; it is a response to one’s own actions or lack of action. If it leads to change then it can be useful, since it is then no longer guilt but the beginning of knowledge. Yet all too often, guilt is just another name for impotence, for defensiveness destructive of communication; it becomes a device to protect ignorance and the continuation of things the way they are, the ultimate protection for changelessness.