Lisa Cholodenko

Lisa Cholodenko
Lisa Cholodenko is an American screenwriter and director of film and television. She has made the films High Art, Laurel Canyon and The Kids Are All Right...
NationalityAmerican
ProfessionDirector
Date of Birth5 June 1964
CitySan Fernando Valley, CA
CountryUnited States of America
came culture quite time
I'm in my mid-40s now, and I came out in 11th grade, so I must have been 17. So that's quite a long time ago, and the temperature and the culture was different.
asked directors female irrelevant question reluctant time
I get asked why there aren't more female directors all the time. I'm kind of reluctant to talk about it. That's not because I think the question is irrelevant or stupid. It's just that there are so many mitigating factors.
life relationship source
The source of so much of my anxiety in life and the tensions in my relationship is my anxiety about my kid. It's all very abstract and unfounded and ungrounded.
face feeling ms stressed stressful
I was going through some stressful stuff, and I lost feeling in my face and in my tongue. So I went to a doctor. He said he didn't think I had MS or a brain tumor. He said, 'I think you're just stressed out.'
abstinence based deal develop developing hbo teacher tom
I have a deal with HBO to develop television, and I am also developing a movie called 'The Abstinence Teacher,' which is based on a book by Tom Perrotta.
confident direct favor good
I feel like if you feel good about a script, and you feel confident about your ability to direct and just capture it right, it's all just, really, really in your favor there.
bonds core desire family human matter single value whatever
There is a core value I wanted to illuminate: No matter what kind of family you have - straight, gay, married, single parent, separated, no kids, two kids, 20 kids, whatever - we all go through the human comedy. But if the bonds are strong enough, and the desire is there, you can get to the other side, still together and still a family.
certain filmmaker individual observed point rather
I feel like I've been observed as an individual more than a gay person, or as a filmmaker with a certain point of view rather than a lesbian filmmaker with a gay point of view.
films grab particular women
I don't know if my films are about women in a kind of frolicking - here's a grab bag of women's issues. They are about women of substance with very particular stories.
cast certain great people
Great actors help. Every project is different. Sometimes it's completely open, and I've been able to cast who I've wanted. And then sometimes people want a certain kind of actor.
base gut instinct tells weird women
At the base of it, my gut instinct tells me that there's a kind of fundamental misogyny in the culture. There just is. You know, there's just a weird anxiety around women.
both since
Wendy and I both wanted kids, but since we were pushing 40, the clock was ticking.
This whole Oscar thing is so political. It's about how much a film grosses, and who's in it, and how well it has been promoted.
children later life people technology
There's a lot of technology out there to help people have children in different ways, and later in life, for better or worse.