Lev Grossman
Lev Grossman
Lev Grossman is an American novelist and journalist, notably the author of the novels Warp, Codex, The Magicians, The Magician King, and The Magician's Land. He is a senior writer and book critic for TIME...
NationalityAmerican
ProfessionNovelist
Date of Birth26 June 1969
CountryUnited States of America
life clueless volcanoes
In our world no one ever knows what to do, and everyone's just as clueless and full of crap as everyone else, and you have to figure it all out by yourself. And even after you've figured it out and done it, you'll never know whether you were right or wrong. You'll never know if you put the ring in the right volcano, or if things might have gone better if you hadn't.
thinking perfect long
I think for a long time, I was paralyzed by some of my hopes and ideals for what my life was going to be like. I had this perfect vision of how my life should go, but it seemed - it was - impossible to realize, so I sat around for a long, long time doing almost nothing at all.
people together valleys
The new Web is a very different thing. It's a tool for bringing together the small contributions of millions of people and making them matter. Silicon Valley consultants call it Web 2.0, as if it were a new version of some old software. But it's really a revolution.
running fear teenager
As a teenager in Brooklyn Quentin had often imagined himself engaged in martial heroics, but after this he knew, as a cold immutable fact, that he would do anything necessary, sacrificing whatever or whomever he had to, to avoid risking exposure to physical violence. Shame never came into it. He embraced his new identity as a coward. He would run in the other direction. He would lie down and cry and put his arms over his head or play dead. It didn't matter what he had to do, he would do it and be glad.
writing optimistic fiction
More than fantasy or even science fiction, Ray Bradbury wrote horror, and like so many great horror writers he was himself utterly without fear, of anything. He wasn't afraid of looking uncool - he wasn't scared to openly love innocence, or to be optimistic, or to write sentimentally when he felt that way.
real world horrible
The real world is horrible.
writing special firsts
There's a special gut-check moment the first time you write a scene in which somebody casts a spell.
stars real ideas
The idea of some kind of objectively constant, universal literary value is seductive. It feels real. It feels like a stone cold fact that In Search of Lost Time, by Marcel Proust, is better than A Shore Thing, by Snooki. And it may be; Snooki definitely has more one-star reviews on Amazon. But if literary value is real, no one seems to be able to locate it or define it very well. We're increasingly adrift in a grey void of aesthetic relativism.
soul looks shapes
It's an engrossing look at the way the flow of information shapes history-as well as a rare glimpse into the soul of the hardcore geek
magic too-late stuff
Magic is wild, dangerous stuff. You never realize how useful limitations are until it's much too late.
strong pain world
A magician is strong because he feels the pain between what the world is and what he would make of it.
kings book dark
I've only read three books by Stephen King. When I was 10 I read 'The Long Walk,' one of his pseudonymous Bachman books. In my early 20s, while trapped on a family vacation, I read 'The Dark Half,' which taught me a word I have never forgotten: psychopomp. Now I have read '11/22/63.'
book men jeeves
I don't know if I've ever derived such an immediate sense of calm and well-being from any book as I did from 'Right Ho, Jeeves.' It was like I was Pac-Man and the book was a power-up.
people lines fantasy
The line between outside and inside is fuzzier in fantasy. Maybe that's something people are looking for.