Leonardo da Vinci

Leonardo da Vinci
Leonardo di ser Piero da Vinci, more commonly Leonardo da Vinci or simply Leonardoˈvintʃi] ; 15 April 1452 – 2 May 1519), was an Italian polymath whose areas of interest included invention, painting, sculpting, architecture, science, music, mathematics, engineering, literature, anatomy, geology, astronomy, botany, writing, history, and cartography. He has been variously called the father of paleontology, ichnology, and architecture, and is widely considered one of the greatest painters of all time. Sometimes credited with the inventions of the parachute, helicopter and tank,...
NationalityItalian
ProfessionPainter
Date of Birth15 April 1452
CityVinci, Italy
CountryItaly
Nature appears to have been the cruel stepmother rather than the mother of many animals.
Man has much power of discourse which for the most part is vain and false; animals have but little, but it is useful and true, and a small truth is better than a great lie.
As regards this vice, we read that the peacock is more guilty of it than any other animal. For it is always contemplating the beauty of its tail, which it spreads in the form of a wheel, and by its cries attracts to itself the gaze of the creatures that surround it. And this is the last vice to be conquered.
The Bactrian have two humps; the Arabian one only. They are swift in battle and most useful to carry burdens. This animal is extremely observant of rule and measure, for it will not move if it has a greater weight than it is used to, and if it is taken too far it does the same, and suddenly stops and so the merchants are obliged to lodge there.
Oh! how foul a thing, that we should see the tongue of one animal in the guts of another.
I have found that, in the composition of the human body as compared with the bodies of animals, the organs of sense are duller and coarser. Thus, it is composed of less ingenious instruments, and of spaces less capacious for receiving the faculties of sense.
It reflects no great honor on a painter to be able to execute only one thing well -- such as a head, an academy figure, or draperies, animals, landscapes, or the like -- in other words, confining himself to some particular object of study. This is so because there is scarcely a person so devoid of genius as to fail of success if he applies himself earnestly to one branch of study and practices it continually.
Man and animals are in reality vehicles and conduits of food, tombs of animals, hostels of Death, coverings that consume, deriving life by the death of others.
Man and the animals are merely a passage and channel for food, a tomb for other animals, a haven for the dead, giving life by the death of others, a coffer full of corruption.
The painter's mind is a copy of the divine mind, since it operates freely in creating the many kinds of animals, plants, fruits, landscapes, countrysides, ruins, and awe-inspiring places.
My body is not a tomb for animals.
A day will come in which men will look upon an animal's murder the same way they look today upon a man's murder.
Make yourself a master of perspective, then acquire perfect knowledge of the proportions of men and other animals.
One day the world will look upon research upon animals as it now looks upon research on human beings.