Lars Trier

Lars Trier
Lars von Trier is a Danish film director and screenwriter, best known for his films Dancer in the Dark, Breaking the Waves, Melancholia and Europa. He is considered one of the great film auteurs and widely regarded as one of the most accomplished living directors in world cinema. In a prolific and controversial career spanning almost four decades, his work became distinct for its genre and technical innovation, the intensely confrontational - sometimes "humorous" - examination of existential, social and...
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I have maneuvered my way through four or five different types of cancer that I completely succumbed to. It's amazing how many probable types of cancer can arise when hypochondria permits.
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If Breaking the Waves had been rendered with a conventional technique, I don't think you could have tolerated the story.
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When we later cut down the scenes, our only thought was to increase the intensity in the performance, without regard as to whether the image is in focus.
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This way of working with actors that I have found now is normally a great pleasure, because it means giving a lot of freedom to some people-and to see them enjoy that freedom and to give to the project is usually very nice.
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You cannot bring in props-if you are filming in a house, you use the furniture and props that are present in that house. If our fiction necessitates the use of a certain prop, we have to film where the prop can be found instead of moving the prop to where we would like to be.
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For me as a director, it is extremely fun trying to add the music on the spot. Especially the moment when the music sets in and the emotional chords are engaged, is a very important means of expression.
artist relationship
It's something important in the relationship between the artist and his public.
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It should all come from the main character's idea that life is beautiful anywhere. It doesn't have to be light with spotlights and blue lights and slow motion or whatever, life is great anyway.
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It was fun having a musician on the set and then having to communicate with him-it was a completely new discipline which I found interesting.
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It's... a matter of making the actors responsible for their characters, so if they felt that their character would read a Donald Duck magazine, they would bring one themselves.
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A load of cinematic effects that otherwise seem easy or cheap to me suddenly become difficult again... can't you hear that this is the only right way of doing it?
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I think some of the acting scenes with Bjork look beautiful. Yes, to me, they are beautiful, but I am quite fond of Bjork.
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I think technology right now is great, because it makes filming so easy, you know.
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Reproduction is a little stupid. You have to put a little something in. It's like in the church you pay a little money to the tithe.