Lars Trier
Lars Trier
Lars von Trier is a Danish film director and screenwriter, best known for his films Dancer in the Dark, Breaking the Waves, Melancholia and Europa. He is considered one of the great film auteurs and widely regarded as one of the most accomplished living directors in world cinema. In a prolific and controversial career spanning almost four decades, his work became distinct for its genre and technical innovation, the intensely confrontational - sometimes "humorous" - examination of existential, social and...
church money pay
Reproduction is a little stupid. You have to put a little something in. It's like in the church you pay a little money to the tithe.
among enthusiasm feels felt finally heart
It felt important to find some actors who really had the enthusiasm to participate. And I think it feels as if the heart is in it among those we finally chose.
acting fond quite scenes
I think some of the acting scenes with Bjork look beautiful. Yes, to me, they are beautiful, but I am quite fond of Bjork.
filming technology
I think technology right now is great, because it makes filming so easy, you know.
chairs containing doors few landscape might named painting pleased room serpent simple suppose tiger
I suppose Swedenborg might have been pleased to have a room named after him, a wall-papered room with two chairs and two doors and a simple painting of a landscape containing a tiger and a serpent and a few birds.
argue scene
I would argue that the aesthetics in flattening out a scene completely are obsolete.
colors dance dancing fond glamorous levels necessary people turn understanding
We had to turn up the colors in the dance sequences to make people feel that there were different levels of the film. I was not so fond of that, because it made the dancing more glamorous in a superficial way than what I really wanted, but it was necessary for the understanding of the two levels.
becomes character easily far good material pass pathetic situation visible
Visible good easily becomes trite; visually there is very little material left-you know, you make a sunbeam pass over a character or a situation and it becomes far too pathetic and banal.
beautiful blue great life light lights main motion slow
It should all come from the main character's idea that life is beautiful anywhere. It doesn't have to be light with spotlights and blue lights and slow motion or whatever, life is great anyway.
artist relationship
It's something important in the relationship between the artist and his public.
bring character donald duck felt matter
It's... a matter of making the actors responsible for their characters, so if they felt that their character would read a Donald Duck magazine, they would bring one themselves.
bring cannot certain fiction filming found furniture instead moving present props
You cannot bring in props-if you are filming in a house, you use the furniture and props that are present in that house. If our fiction necessitates the use of a certain prop, we have to film where the prop can be found instead of moving the prop to where we would like to be.
image meant worked
Before, I worked with a storyboard, and that meant that the image wasn't good. There was a lot of things that you had to live up to.
enjoy found freedom giving great means normally project
This way of working with actors that I have found now is normally a great pleasure, because it means giving a lot of freedom to some people-and to see them enjoy that freedom and to give to the project is usually very nice.