Kurt Sutter
Kurt Sutter
Kurt Leon Sutter is an American screenwriter, director, producer, and actor. He worked as a producer, writer, and director on The Shield, and appeared on the show as hitman Margos Dezerian. Sutter is also the creator of Sons of Anarchy on FX; he wrote, produced, and directed the series, as well as played incarcerated club member Otto Delaney. Sutter spent time with members of an outlaw motorcycle club in Northern California as research for Sons of Anarchy. Sutter's wife, actress...
NationalityAmerican
ProfessionTV Producer
Date of Birth5 May 1960
CityRahway, NJ
CountryUnited States of America
The lazy blogosphere has given up on journalism and now trolls Twitter for their on-the-record in-depth articles.
I started doing some more specific research on Wales in that period because I like the idea of being authentic to the territory, and with that came the knowledge that there was this great rebellion that was happening with the Marcher barons and conflict with the king. A lot of it wasn't documented by the English.
I think there's a part of me that feels the need to hide a little bit behind a character.
As an actor, I've been drawn to those characters that are further away from who I may be.
I always have a sense of where I want to end each season, emotionally and relationship wise and with the theme, and I'm always able to hit that.
My production team doesn't like not knowing what anything is going to look like, but creatively, that's fun.
The great thing about having a serialized drama (like 'Sons of Anarchy') is that I'm allowed to bring up events and circumstances that have happened in the past in other episodes to show that this kind of violence doesn't happen in a vacuum. It has ramifications. It has repercussions. Whether it's a week from now or five years from now, you know it will play out. Nothing is ever tied up into a perfect knot.
I've always wanted to play with this idea - and I didn't want to leave it to the last season, but I wasn't quite sure when it was going to happen - of putting Jax [sons of Anarchy] at the head of the table and the ripple effect on the guys and the loyalties of it and where people land.
I love being able to stay real to the world.
What happens on 'Mad Men' in terms of the acting and the writing and the directing, it's superior. And yes, it has tremendous cache and buzz because it's become iconic, but it also deserves all the kudos and the awards as well, because it's a beautiful show to look at.
I'm a guy who has problems with moderation. All or nothing. Binge and purge. Kill or be killed. Gray is not a color I wear well. I should be dead. I know that. I should not be successful. I know that too. My daily existence is a toss of the coin - one side, fear, the other side, gratitude.
I have a loose blueprint of where I want the show to go. I stress, quite frankly to remind myself, that I hold onto that vision very loosely, so that I can be moving towards something, but I don't ever want to feel like I'm in a box that'll stop me from exploring a potential new direction.
I'm a guy desperately in need of buffers. I have big feelings, big reactions, big emotions. All the things that serve me as an artist, but challenge me as a socially-responsible human being.
The whole Twitter phenomenon is really indicative of what's happening in this country. And I say this in condemnation of myself as much as anyone else - we are growing into a nation that has no time, desire or capacity for truth. All we can handle is 140 characters of knowledge.