K'naan

K'naan
Keinan Abdi Warsame, better known by his stage name K'naan, is a Somali Canadian poet, rapper, singer, songwriter, and instrumentalist. He rose to prominence with the success of his single "Wavin' Flag", which was chosen as Coca-Cola's promotional anthem for the 2010 FIFA World Cup. Besides hip-hop, K'naan's sound is influenced by elements of Somali music, Ethio-jazz and world music. He is also involved in various philanthropic initiatives...
NationalitySomali
ProfessionRapper
Date of Birth1 February 1978
CityMogadishu, Somalia
My question about my art and my music has always been, 'Am I good, or am I good because?' I'm not the artist who wants to have the 'because' attached.
Art isn't held with the same high regard as it is after success. In any country, in any language, you're a loser if you're making music until you prove otherwise.
It was not my dream to be an artist. How could it have been? I thought, artist, much like a leader, was something you either were or weren't. Never something you set out to be.
I enjoy mediation. I think the artist's position is often to mend the things we feel are broken. Whether that's between two cultures or two thoughts. We're always trying to reach, trying to expand something.
From the stage, I can reach a large audience, and you learn from being on stage how much a song reaches, what extent of the crowd a song can reach. I write in a way that can reach most of the audience, but I also wanted to have truly intimate moments as well, many intimate moments, more so than the big moments.
You want to reach people, but you also want to reach them in the most authentic way. You now have a mass market and an audience that's listening, but they're in love with a song that means absolutely nothing to you.
The problem is that rap is so often a caricature of its own image. Nobody comes to the table with the seriousness of the effect that it can have; nobody is prepared for that.
It's not really that I'm interested in filmmaking. I'm interested in the instrument of it, you know.
I have moments of darkness, of anger, and moments of rage. They do creep up at the most inopportune times. Not to recognize that in my music would give people a sense of sainthood that I don't necessarily have or even want to have.
I don't feel political most of the time. Sometimes I'm placed in positions because no one else will go there.
I know that often times a lot of people who work in music, whether they be labels and so on or even artists, want personal recognition. We want to be recognized for something, for what we did. I'd rather my song be recognized for what it's doing and that's important. It's not so important how many people know me.
I am one of those people that's never been really cynical about life, you know.
The poetry I grew up on is really an intense form of poetry; it's so pure and powerful.
I'm an optimist about other people. I'm not an optimist about myself.