Khaled Hosseini
Khaled Hosseini
Khaled Hosseiniis an Afghan-born American novelist and physician. After graduating from college, he worked as a doctor in California, an occupation that he likened to "an arranged marriage". He has published three novels, most notably his 2003 debut The Kite Runner, all of which are at least partially set in Afghanistan and feature an Afghan as the protagonist. Following the success of The Kite Runner he retired from medicine to write full-time...
NationalityAfghani
ProfessionNovelist
Date of Birth4 March 1965
CityKabul, Afghanistan
Everyone is an ocean inside. Every individual walking the street. Everyone is a universe of thoughts, and insights, and feelings. But every person is crippled in his or her own way by our inability to truly present ourselves to the world.
For many people in the west, Afghanistan is synonymous with the Soviet war and the Taliban. I wanted to remind people that Afghans had managed to live in peaceful anonymity for decades, that the history of the Afghans in the twentieth century has been largely pacific and harmonious.
We stayed huddled that way until the early hours of the morning. The shootings and explosions had lasted less than an hour, but they had frightened us badly, because none of us had ever heard gunshots in the streets. They were foreign sounds to us then. The generation of Afghan children whose ears would know nothing but the sounds of bombs and gunfire was not yet born...
But Laila has decided that she will not be crippled by resentment. Mariam wouldn’t want it that way. ‘What’s the sense?’ she would say with a smile both innocent and wise. ‘What good is it, Laila jo?’ And so Laila has resigned herself to moving on. For her own sake, for Tariq’s, for her children’s. And for Mariam, who still visits Laila in her dreams, who is never more than a breath or two below her consciousness. Laila has moved on. Because in the end she knows that’s all she can do. That and hope.
All my life, I'd been around men. That night, I discovered the tenderness of a woman.
I experienced Kabul with my brother the way Amir and Hassan do: long school days in the summer, kite fighting in the winter time, westerns with John Wayne at Cinema Park, big parties at our house in Wazir Akbar Khan, picnics in Paghman.
I'm sorry," Laila says, marveling at how every Afghan story is marked by death and loss and unimaginable grief. And yet, she sees, people find a way to survive, to go on.
Tariq tucked the gun into the waist of his denims. Then he said a thing both lovely and terrible. "For you," he said. "I'd kill with it for you, Laila.
I shook my head no. For minutes, neither of us spoke a word. It breathed between us, what he had said, the pain of a life suppressed, of happiness never to be.
It's hard when you make a film from a book that so many people love, because there's no way to get the entire story into a two-hour movie. But I was pleased with the reaction [for Kite Runner].
I laughed. Partly at the joke, partly at how Afghan humor never changed. Wars were waged, the Internet was invented, and a robot had rolled on the surface of Mars, and in Afghanistan we were still telling Mullah Nasruddin jokes.
The experience of writing 'The Kite Runner' is one I will always think back on with fondness. There is an energy, a romance in writing the first novel that can never be duplicated again.
Panic. You open your mouth. Open it so wide your jaws creak. You order your lungs to draw air, NOW, you need air, need it NOW. But your airways ignore you. They collapse, tighten, squeeze, and suddenly you're breaithing through a drinking straw. Your mouth closes and your lips purse and all you can manage is a croak. Your hands wriggle and shake. Somewhere a dam has cracked open and a flood of cold sweat spills, drenches your body. You want to scream. You would if you could. Cut you have to breathe to scream. Panic.
I don't know what this feather means, the story of it, but I know it means he was thinking of me. For all these years. He remembered me.