Kevin Brockmeier
Kevin Brockmeier
Kevin John Brockmeier is an American writer of fantasy and literary fiction. His short stories have been printed in numerous publications and he has published two collections of stories, two children's novels, and two fantasy novels. Brockmeier, who was born and raised in Little Rock, Arkansas, is a graduate of Parkview Arts and Science Magnet High Schooland Southwest Missouri State University. He taught at the Iowa Writers' Workshop, where he received his MFA in 1997, and lives in Little Rock...
NationalityAmerican
ProfessionWriter
Date of Birth6 December 1972
CountryUnited States of America
I was wholly invested in my friendships. I might have tested them sometimes, but only to reassure myself that they were permanent. A mistake, of course.
I might not remember how the sky looked on any given day. I do remember, though, what it was like to be a boy beneath a sky.
I don't think our lives actually unfold with morals attached to them, or meanings that are easily extracted, or jokes designed to generate sympathy. I wanted to do the opposite - to offer up a life whose meanings can only be perceived through a tangle of desires, confusions, and textural details.
I suppose that when you're growing up, you're bound to reach an age when you feel buffeted by all the changes in your life, when either your mind begins outpacing your body or your body begins outpacing your mind and you're not quite in conversation with yourself anymore.
If your reading life and your friendships overlap, that's just a nice coincidence - a case where the conversation you're having with books and the conversation you're having with actual human beings happen to dovetail.
In seventh grade I gradually became aware that that quickness of feeling was something I was supposed to have outgrown. I was rather guileless, I think, or at least I was when it came to the people I cared about.
I'm uncommonly slow to show my work to other people, and by the time I do I've usually exhausted myself so completely that all I really want is for someone to tell me that my efforts have added up to something - not one of my better qualities, I admit.
What I wanted was to write a memoir that was immersive rather than reflective, to resurrect a long-gone version of my own consciousness. I kept expecting that sooner or later the effort would come to seem like second nature to me, but it never did.
...When you die, the energy that kept you alive filters into the people you loved. Did you know that? It's like a fire you've tended all your life, and the sparks are all scattered into the wind.... That's why we survive as long as we do, because the people who loved us keep us going.
You remember having friends who used to lampoon the world so effortlessly, crouching at the verge of every joke and waiting to pounce on it, and you remember how they changed as they grew older and the joy of questioning everything slowly became transformed into the pain of questioning everything, like a star consuming its own core.
You have a pet theory, one you have been turning over for years, that life itself is a kind of Rube Goldberg device, an extremely complicated machine designed to carry out the extremely simple task of constructing your soul.
How often, you wonder, has the direction of your life been shaped by such misunderstandings? How many opportunities have you been denied--or, for that matter, awarded--because someone failed to see you properly? How many friends have you lost, how many have you gained, because they glimpsed some element of your personality that shone through for only an instant, and in circumstances you could never reproduce? An illusion of water shimmering at the far bend of a highway.
Who was it who said that every virtue contains its corresponding vice? C.S. Lewis? Virginia Woolf? You forget. But it has always worried you that what the virtue of wit contained was the vice of scorn.
A successful song comes to sing itself inside the listener. It is cellular and seismic, a wave coalescing in the mind and in the flesh. There is a message outside and a message inside, and those messages are the same, like the pat and thud of two heartbeats, one within you, one surrounding. The message of the lullaby is that it’s okay to dim the eyes for a time, to lose sight of yourself as you sleep and as you grow: if you drift, it says, you’ll drift ashore: if you fall, you will fall into place.