Kenneth Branagh
Kenneth Branagh
Sir Kenneth Charles Branagh is a Northern Irish actor, director, producer, and screenwriter. Branagh trained at the Royal Academy of Dramatic Art in London. He has directed or starred in several film adaptations of William Shakespeare's plays, including Henry V, Much Ado About Nothing, Othello, Hamlet, Love's Labour's Lost, and As You Like It...
NationalityIrish
ProfessionDirector
Date of Birth10 December 1960
CityBelfast, Northern Ireland
CountryIreland
It's no accident that Cinderella has been in the culture for thousands of years, and in cross cultures. I've traveled a bit recently, and in Russia, they completely believe they own this tale. And in Italy, they feel it absolutely is part of who they are. There is a timeless web to it.
As soon as someone I don’t respect tells me I can’t do something, it just makes me want to do it even more.
It's very strange that the people you love are often the people you're most cruel to.
I come from the theatre, my bones are in the theatre; it’s as natural as breathing to want to be in the theatre
For all the cynicism that the world contains, people are a little more open to those things that maybe are to do with returning you to some kind of simpler, happier state.
Music and language are a vital element. We, as actors and directors, offer it to people who want to experience it. Sometimes the actual meaning is less important than the words themselves.
My definition of success is control.
Don’t stand up when you can sit down and don’t sit down when you can lie down.
It doesn't mean old or younger. I've learned a lot from people much younger than me as well as people much older than me. So I think it's about honesty and generosity.
Hamlet and Victor Frankenstein are each obsessed with death. Hamlet's whole story is a philosophical preparation for death; Victor's is an intellectual refusal to accept it.
One of the things that makes Hamlet unique among Shakespeare's characters is his courage to face up to the darker elements of his personality.
Friendship is one of the most tangible things in a world which offers fewer and fewer supports.
Across all Cinderella versions it was clear that the 21st century was not very much in evidence, particularly in the character of Cinderella so it seemed, it felt actually as though it hadn't been done for quite some time, not with the kind of lushness that we could do it with, with an absolute removal of the passivity of Cinderella and finding an amusing way, a lighthearted but significant way of making her proactive and not a girl who's life is about waiting for a bloke.
I guess I've done a couple of boys-y movies and on the whole you get bracketed into things you've just done, so it was an imaginative surprise from my Disney family to pull me out of the hat, as it were [in Cinderella].