Kazuo Ishiguro
Kazuo Ishiguro
Kazuo Ishiguro OBE, FRSA, FRSLis a British novelist, screenwriter and short story writer. He was born in Nagasaki, Japan; his family moved to England in 1960 when he was five. Ishiguro obtained his bachelor's degree from the University of Kent in 1978 and his Master's from the University of East Anglia's creative-writing course in 1980...
NationalityJapanese
ProfessionAuthor
Date of Birth8 November 1954
CountryJapan
accept against best brave ghastly interested odds people
I'm not at all interested in the brave who fight against the odds and win. I am interested in those who accept their lot, as that is what many people in the world are doing. They do their best in ghastly conditions.
few life looked mess sort
I had the sense when I looked back over my life I would actually see a mess of decisions, a few of which I had thought about, some of which I had sort of stumbled on and many that I had no control over whatsoever.
inside novel somebody strengths tv
Why would somebody just read a novel when they can see it on TV or in the cinema? I really have to think of the things fiction can do that film can't and play to the strengths of the novel. With a novel, you can get right inside somebody's head.
believe focusing good indeed novel talented
When you're lucky enough to have a good film made of your novel - and 'Never Let Me Go' is, believe me, a heartbreakingly good film indeed - you get wonderfully talented individuals each focusing on their special area.
conscious movies novels otherwise purely survive watch work
When I write a novel, I want it to be completely different from a screenplay. I'm very conscious of the difference, and I want novels to work purely as novels. Otherwise I don't see how they'll survive - why don't we just all go to the movies or watch television.
children information
To some extent, at least, you have to shield children from what you know and drip-feed information to them. Sometimes that is kindly meant, and sometimes not.
calls literary misleading writers
There's something very misleading about the literary culture that looks at writers in their 30s and calls them 'budding' or 'promising', when in fact they're peaking.
children extent information kindly protected shield
It is a protected world. To some extent at least you have to shield children from what you know and drip-feed information to them. Sometimes that is kindly meant, and sometimes not.
bit extent people success worldly
I don't hang out with the glitteringly successful people; I hang out with people who've been friends for many years, and to some extent I feel my worldly success is a bit uncomfortable for them.
child childhood danger experience further greater losing peculiar requires seeing teenage wisdom
There's something peculiar about writing fiction. It requires an interesting balance between seeing the world as a child and having the wisdom of a middle-aged person. The further you get from childhood and the experience of the teenage years, the greater the danger of losing that wellspring.
bad censor children full
We always like to keep our children in a kind of bubble and censor the bad news about the world. We like to tell them the world is full of benevolent, nice people.
address discovered status treat
It is only when you have discovered the other person's status that you know how to address and treat them.
age atomic burning city concern felt lived suddenly symbolic took until
I went many years without even associating Nagasaki with the atomic bomb. Then in the 1980s, when there was a new concern about CND and so on, Nagasaki took on this symbolic value. I felt my Nagasaki had been appropriated. It was suddenly this burning city of ashes. For me, it was where I lived until the age of 5.
phase took
I went through my purple-prose phase in my songwriting... I was really writing between the lines. And that was what I took into my fiction. That was my apprenticeship, really.