Katherine Paterson
Katherine Paterson
Katherine Womeldorf Paterson is a Chinese-born American writer best known for children's novels. For four different books published 1975-1980, she won two Newbery Medals and two National Book Awards. She is one of three people to win the two major international awards; for "lasting contribution to children's literature" she won the biennial Hans Christian Andersen Award for Writing in 1998 and for her career contribution to "children's and young adult literature in the broadest sense" she won the Astrid Lindgren...
NationalityAmerican
ProfessionChildren's Author
Date of Birth31 October 1932
CityHuai'an, China
CountryUnited States of America
I know a movie and a book are two different things and you are going do different media in different ways. No author can want a movie to be exactly like the book because then it will be a bad movie.
I am called to listen to the sound of my own heart -- to write the story within myself that demands to be told at that particular point in my life. And if I do this faithfully, clothing that idea in the flesh of human experience and setting it in a true place, the sound from my heart will resound in the reader's heart.
You don't have to fight dragons to write books. You just have to live deeply the life you've been given.
The thing I have learned through the years is that one idea 'doth' not a novel make. A novel must be several seemingly unrelated ideas that somehow magically come together to create the fabric of the story.
Crazy people who are judged to be harmless are allowed an enormous amount of freedom ordinary people are denied.
a novel is not born of a single idea. The stories I've tried to write from one idea, no matter how terrific an idea, have sputtered out and died by chapter three. For me, novels have invariably come from a complex of ideas that in the beginning seemed to bear no relation to each other, but in the unconscious began mysteriously to merge and grow. Ideas for a novel are like the strong guy lines of a spider web. Without them the silken web cannot be spun.
We humans have had from time unknown the compulsion to name things and thus to be able to deal with them. The name we give to something shapes our attitude toward it. And in ancient thought the name itself has power, so that to know someone's name is to have a certain power over him. And in some societies, as you know, there was a public name and a real or secret name, which would not be revealed to others.
This is what art is all about. It is weaving fabric from the feathers you have plucked from your own breast. But no one must ever see the process - only the finished bolt of goods. They must never suspect that that crimson thread running through the pattern is blood.
My writing comes from ideas that make a sound in my heart.
Reading asks that you bring your whole life experience and your ability to decode the written word and your creative imagination to the page and be a co-author with the writer, because the story is just squiggles on the page unless you have a reader.
If you're a kid who is always on the outside hoping to be on the inside, you're watching a lot. You're trying to figure out how to become a normal person in a society that considers you weird.
I can't believe there will ever be a time when the book is truly obsolete. It is the perfect technology and feeds the soul.
On Decoration Day, while everyone else in town was at the cemetery decorating the graves of our Glorious War Dead, Willie Beaner and me, Robert Burns Hewitt, took Mabel Cramm's bloomers and run them up the flagpole in front of the town hall. That was the beginning of all my troubles.
If you're so afraid of your imagination that you stifle it, how are you going to know God? How can you imagine heaven?