Kaskade
Kaskade
Ryan Gary Raddon, better known by his stage name Kaskade, is an American DJ, record producer and remixer. On October 20, 2011, DJ Mag announced the results of their magazine, with Ultra Music, Kaskade placed at No. 30. DJ Times voted Kaskade "America's Best DJ 2011" and "America's Best DJ 2013"...
NationalityAmerican
ProfessionDJ
Date of Birth25 February 1971
CityChicago, IL
CountryUnited States of America
music people
People don't listen to terrestrial radio. They don't find their music that way. They don't get their news that way. They go to blogs. They go through Sirius/XM. They go through all these different places.
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I've always had a passion for music, but I never saw me as a musician for a living. I never thought that I could make a living. It never dawned on me.
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I studied communications, only because I could get my own show on the campus radio station. I never thought of it as a career. Music was always a really passionate hobby - it was like collecting DVDs or stamps.
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The art of DJing is sharing music with one another... The technology's definitely taking it into a new direction to where it's really becoming performance-based.
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Music leaves such a big impression. I always wondered, 'Man, if I grew up in Nashville, would I be making Country records now?' I honestly feel like Chicago had such a big impact on me.
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I think people in electronic music are trying to get these big features: 'Oh my gosh, I'm gonna get the biggest pop star to feature on my track.'
borderline electronic music
I do feel like there's a level of ridiculousness going on in electronic music... It's getting borderline absurd out there.
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Blending tracks and weaving and manipulating prerecorded music to create this mood, some people do it much better than others.
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When I graduated college, I had a fairly successful weekly club gig and was buying more studio equipment and writing my own music. I realized I didn't want to work.
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I'm a person who has always been clear about my love of music and vocal about trying to live in a way that lends itself to health.
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As a kid, my parents had the typical stuff going on in the home, like Bee Gees, The Carpenters. Then I got exposed to what my brothers were listening to: a lot of classic rock, Led Zeppelin. It was around the mid-'80s when the whole Electro-Techno-Pop-House music thing started happening in Chicago.
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I've always been a big advocate of making shows affordable because a lot of these bottle-service clubs and events are geared toward really expensive experiences. Club music is for everyone, and it drives me crazy that people are getting priced out.
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I think there is some truth to the fact that yeah, okay, cool, obviously the more mainstream kind of easier-to-grasp-onto dance music has become popular, but that holds true with almost any genre. It wasn't like the Sex Pistols hit the radio. It was poppier versions of that is what hit. It's never, like, the true core stuff.
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There is so much great talent in the underground, and electronic music is finally getting the props that it's deserved for so long. I feel like now that everyone is discovering it and it's so fresh sounding to so many people. It doesn't get any more rock n' roll than playing EDC or the Staples Center. It's really madness.