Karl Wilhelm Friedrich Schlegel

Karl Wilhelm Friedrich Schlegel
Karl Wilhelm FriedrichSchlegel, usually cited as Friedrich Schlegel, was a German poet, literary critic, philosopher, philologist and Indologist. With his older brother, August Wilhelm Schlegel, he was one of the main figures of the Jena romantics. He was a zealous promoter of the Romantic movement and inspired Samuel Taylor Coleridge, Adam Mickiewicz and Kazimierz Brodziński. Schlegel was a pioneer in Indo-European studies, comparative linguistics, in what became known as Grimm's law, and morphological typology. As a young man he was...
NationalityGerman
ProfessionPoet
Date of Birth10 March 1772
CountryGermany
Karl Wilhelm Friedrich Schlegel quotes about
The whole history of modern poetry is a continuous commentary on the short text of philosophy: every art should become science, and every science should become art; poetry and philosophy should be united.
Where philosophy ends, poetry must commence. There should not be a common point of view, a natural manner of thinking which standsin contrast to art and liberal education, or mere living; that is, one should not conceive of a realm of crudeness beyond the boundaries of education. Every conscious link of an organism should not perceive its limits without a feeling for its unity in relation to the whole. For example, philosophy should not only be contrasted to non-philosophy, but also to poetry.
Poetry and philosophy are, according to how you take them, different spheres, different forms, or factors of religion. Try to really combine both, and you will have nothing but religion.
Without poetry, religion becomes obscure, false, and malignant; without philosophy, licentious in all wantonness, and lascivious to the point of self-castration.
Most thoughts are only profiles of thoughts. They must be inverted and synthesized with their antipodes. Thus many philosophical writings become very interesting which would not have been so otherwise.
It is a thoughtless and immodest presumption to learn anything about art from philosophy. Some do begin as if they hoped to learnsomething new here, since philosophy cannot and should not do anything further than develop the given art experiences and the existing art concepts into a science, improve the views of art, and promote them with the help of a thoroughly scholarly art history, and produce that logical mood about these subjects too which unites absolute liberalism with absolute rigor.
Every philosophical review ought to be a philosophy of reviews at the same time.
Philosophy still moves too much straight ahead, and is not yet cyclical enough.
With respect to ingenious subconsciousness, I think, philosophers might well rival poets.
The poetry of this one is called philosophical, of that one philological, of a third rhetorical, and so on. Which is then the poetic poetry?
Religion can emerge in all forms of feeling: here wild anger, there the sweetest pain; here consuming hatred, there the childlike smile of serene humility.
If the essence of cynicism consists in preferring nature to art, virtue to beauty and science; in not bothering about the letter of things -- to which the Stoic strictly adheres -- but in looking up to the spirit of things; in absolute contempt of all economic values and political splendor, and in courageous defence of the rights of independent freedom; then Christianity would be nothing but universal cynicism.
What men are among the other formations of the earth, artists are among men.
Only he who possesses a personal religion, an original view of infinity, can be an artist.